Ancient Theatres: Progress of the Works

• The archaeological research at the ancient theatre of Samothrace has been completed by the Curator Mr Dimitris Matsas.
• On Sunday 25 April 2010 the first visit took place of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Samothrace, in the framework of his tour of the ancient theatres and auditoriums of Samothrace, where he met with all local agencies regarding the promotion of the theatre of Samothrace.
• ‘DIAZOMA’ then opened a “piggy bank” (a bank account) for the ancient theatre of Samothrace. (link)
• In September 2013 ‘DIAZOMA assigned the work ‘Enlarging the potential of 3D Laser Scanners in monument documentation: drafting 3D models of the ancient theatres in Abdera and Samothrace’, with funding from the Bodossaki Foundation.
• A topographical survey must be drafted, as well as a plan for the restoration of the earthen koilon, as well as a functional connection of the monument with the broader archaeological site. (CURRENTLY)
• Incorporation of the programme for the restoration of the theatre and its functional connection to the broader archaeological space to a funding programme. (MOVING FORWARD)

• The Municipality of Megalopolis and the Ministry of Culture and Tourism have signed a Programmatic Agreement budgeted at € 500,000; problems for the realization of the agreement have been resolved.
• The Ministry of Culture and Tourism and the Public Power Corporation SA (PPC) have signed a Cultural Grant Agreement totaling € 2,815,354, according to which PPC undertakes to finance projects and studies of the 39th Ephorate of Antiquities for the protection and enhancement of archaeological monuments in the area of Megalopolis, namely the restoration and enhancement of the ancient theater.
• Works on the utilization of these funds have begun.
• The non-governmental organization “ELIX” collaborated with the Municipality of Megalopolis and implemented voluntary programs aimed at the conservation and restoration of the theater of Megalopolis and the archaeological site.
• The project includes the restoration of two theater tiers (B and C).
• The “CONSERVATION AND ENHANCEMENT OF THE ANCIENT THEATRE OF MEGALOPOLIS – PHASE A: RESTORATION OF CUNEI B AND C” project, which was originally included in the Operational Programme “Peloponnese 2014-2020”, with a budget of 481.602,00€€, has been transferred to the Operational Programme “Peloponnese 2021-2027”. (CURRENT STATE)
• Monitoring the progress of the works of the first phase of the restoration of the theatre. Inclusion of the second phase of the Megalopolis theatre restoration project (restoration of 5 cunei) in a funding programme. Combination with the ‘Moraes Cultural Route: a journey from ancient to modern cities’ programme proposed by the ‘DIAZOMA’ Association. (NEXT STEP)

   

Ancient Theater of Abdera

• Topographic works on the monument have been completed, with a € 5,000 funding allocated by the Municipality of Abdera to the Ministry of Culture & Tourism through a Programmatic Agreement.

• The geophysical research sponsored by the University of Thessaloniki has been completed.

• The first phase of the test tranches sections has been completed, with a € 30,000 funding allocated by the Prefecture of Xanthi to the Ministry of Culture & Tourism through a Programmatic Agreement.

• For the completion of the second phase of the test tranches sections, the Regional Authority of Eastern Macedonia and Thrace provides 50,000 to the Ministry of Culture & Tourism through a Programmatic Agreement.

• 02-04-2012: The signing of the Agreement has been completed.

• Object of the second Programmatic Agreement was the continuation of the excavation. This Agreement was amended.

• The Cultural Development Programming Agreement, amounting to € 70,000, was signed on May 15, 2014 between the Ministry of Culture and Sports and the Region of Attica for the project “Drawing up a study on the emergence of the ancient theater of Zea”.

• The purpose of the program for this contract is to prepare the study for the emergence of the ancient theater of Zea. For the protection and the highlighting of the monument, it is necessary to carry out fixation and maintenance works in order to make it accessible as a venue for cultural events. Situated in the same vicinity as the Archaeological Museum of Pireaus and the coastal front of Akti Moutsopoulou will help in the aesthetic and economic upgrading of the area and will be an attraction to visitors. Meanwhile, the Archaeological Service is putting all its efforts into transforming the building block, where the theater is located, into an archaeological park.
• Tuesday, February 24, 2015, the Department of Antiquities of West Attica, Piraeus and the Islands assigned an architectural study of restoration and promotion of the ancient theater of Zea in Piraeus to Antoniou Georgios, Architectural Engineer of NTUA (National Technical University of Athens).

• Tuesday, November 29th, 2016, the Central Archaeological Council approved the architectural study of the restoration and promotion of the ancient theater of Zea.

At present, the First Phase of the Ancient Theatre’s restoration has been completed. Detailed information on the studies and works pertaining to the theatre’s restoration and promotion is provided below:

• The restoration of the ancient theatre of Aigeira as a sub-project of the larger project “Restoration and promotion of the archaeological site of Paleokastro Aigon (Ancient Aigeira)” was completed with €450,000.00 of financing under the National Strategic Reference Framework (NSRF)- Operational Programme (OP) “Western Greece – Peloponnese – Ionian Islands 2007-2013”.
• Works on the monument began in August 2011 and were completed in December 2015. Archaeological cleaning of the monument’s entire koilon (seating area) and orchestra (performance space) was carried out, as well as stabilisation works and restoration work on the core of the archaeological site. These included the maintenance of the existing shelter of the small temples to the outside of the theatre’s right parodos (side entrance into the orchestra); backfilling of excavation pits; constructing a new main entrance to the archaeological site; modifying and expanding the fence;  placing outdoor information signs; marking visit routes, etc. Additionally, within the framework of the NSRF, agricultural land (property of Thanella) was expropriated to provide the new main entrance to the archaeological site.
• The First Phase of the theatre’s restoration has been completed. (CURRENT STATE)
• Commissioning a study for the Second Phase of the theatre’s restoration which shall include the restoration, maintenance and improvement of the overall functionality of the archaeological site is required. (NEXT STEP)

• “DIAZOMA” has opened a special bank account for the ancient theater of the Amphiariou.

• The Urban community – a Non-Profit Organization called Monumenta, as well as the local community, are also helping to promote the monument.

• On Monday, November 12, 2012, a Cultural Developmental Program Contract of € 50,000 was signed between the Ministry of Education & Religious Affairs, the Ministry of Culture & Sports and the Region of Attica for the project “Cleaning and Documentation of the Ancient Theater of Amphiariou”. The aim of the program is to carry out the necessary work for the cleaning and documentation of the ancient theater which is located in the archaeological site of the Amphiariou Oropos in Attica. The Programming Agreement has not been activated therefore a new one needs to be signed.

• In June 2009 the President of Diazoma, Mr Stavros Benos, visited the Ancient Theatre of Amvrakia in the framework of his tour of the ancient theatres of Preveza and Arta, and held meetings with local bodies.(see here)
• ‘DIAZOMA’ has opened a “piggy bank” (an electronic bank account) for the ancient theatre of Amvrakia.(see here).
• The promotion of the theatre was incorporated to the 2007-2013 NSRF, with €2,000,000 of funding. The sub-project of the broader project ‘Promotion – unification of the archaeological sites of ancient Amvrakia in the city of Arta, Municipality of Arta: western necropolis, temple of Apollo, and small theatre’.
• During the excavation works a ceramic furnace from the Byzantine period was revealed, which was created very close to the koilon of the ancient theatre. The drainage system of the ancient city was also revealed beside the ancient theatre.
• The goal is to construct a small footbridge over the ancient theatre, which will provide visual contact with the ancient theatre, while also leading to a pleasant archaeological walk throughout the other monuments of ancient Amvrakia, creating an archaeological site that is organically incorporated into the life of the modern city.
• Through the ‘Cultural route of the ancient theatres of Epirus’ programme, the ‘Works for the promotion and shaping of the archaeological site of the Small theatre of Ancient Amvrakia’ project, with a budget of €749,400, was incorporated into the 2014-2020 NSRF Operational Programme ‘Epirus 2014-2020’.
• The Ephorate of Antiquities of Arta commissioned Mr. Nikos Hatzidakis to conduct the monument’s restoration study.
•  The study was completed and submitted to the Ephorate of Antiquities of Arta.
• Through the “Ancient Theatres of Epirus Cultural Route” programme, the “Works for the promotion and redevelopment of the archaeological site of the Small Theatre of ancient Amvrakia” project, with a budget of €667,870 was incorporated into the 2014-2020 NSRF Operational Programme “Epirus 2014-2020”. With this funding, the excavation works at the theatre are being completed, and works for the enhancement and promotion of the monument will also be undertaken. The project includes two subprojects. The first one is entitled “Enhancement and promotion work for the archaeological site of the Small Theatre of ancient Amvrakia” and is being implemented by direct labor by the Ephorate of Antiquities of Arta. The second subproject, entitled “Works to support the slopes of the archaeological site of the Small theatre of ancient Amvrakia” is being implemented by the Region of Epirus. The last amendment to the project (December 2020) concerned increasing the total budget to 966,667.96 euros and extending the project’s completion time until December 2022.
• in 2021, the Municipality of Arta demolished two adjacent low buildings to create a large open space that would operate as a space for the public to stop, gather, and as an information point. Following the demolition of the buildings, excavations were carried out in the area, and new archaeological finds related to the theatre’s archaeological site surfaced. The works are in progress and are expected to be completed soon. Once works are completed, the courtyard of the Church of St. Constantine will be suitably refurbished along the same principles.
• The contractor of the “Works to support the slopes of the archaeological site of the Small Theatre of ancient Amvrakia” subproject being implemented by the Region of Epirus has been on site since 1 July 2021, and works are in progress. The subproject being implemented by the Ephorate of Antiquities of Arta (“Enhancement and promotion work for the archaeological site of the Small Theatre of Ancient Amvrakia”) depends to a large extent on the works to support the slopes being completed, as the progress of works is interrelated. However, market research is underway, as well as preliminary works to restore the ancient theatre’s ruins, the construction of a path circling the archaeological site, the transfer of the utilities’ infrastructure outside the archaeological site, and the other works provided for by the project.
•  On Tuesday, 28 July 2020, the aforementioned study was approved by the Central Archaeological Council (KAS). (CURRENT STATE)
•  Restoration works on the monument are expected to commence, funded by the NSRF 2014- 2020 (“Ancient Theatres of Epirus Cultural Route”). (NEXT STEP)

• On Wednesday, October 31, 2012 a Programming Agreement was signed between the Municipality of Aliartos and the Aristotle University of Thessaloniki for the realization of the program: “Geophysical Survey in the Theater of Ancient Askris”.
• The total budget of the project, which amounted to 8,650.00 Euros, was covered by the Municipality’s expenditure budget.
• The purpose of the works was the detection and mapping of the buried architectural remains of the ancient theater.
• This project was carried out in direct collaboration with the Ephorate of Prehistoric and Classical Antiquities.
• On Thursday, June 30, 2016, a Programmatic Cultural Development Agreement of € 50,000 was signed between the Ministry of Culture and Sports and the Region of Central Greece on the subject matter of “EXCAVATION RESEARCH, TOPOGRAPHIC AND ARCHITECTURAL IMPRESSION AND EXHIBITION OF THE ANCIENT THEATER IN THE MOUSON VALLEY”.

•  Geophysical research has already been completed through a Programming Agreement, which was funded by the former Prefecture of Lassithi.
•  The Programming Agreement amounting to 50.000,00 Euros was signed with the Region of Crete, for the excavation research in the area where the ancient theater of Ierapetra is located.
•  The monument has been cleansed by volunteers.
• •On May 15, 2014, the required modification of the above contract was signed.
•  Excavations are in progress.
• The signing of a new Programming Agreement is being promoted in order for the excavations to be continued.

• Excavations falling under the above Programming Agreement are in progress and have been temporarily suspended. The theatre’s orchestra and part of its skene building have been revealed. The mapping of the theatre is underway. (CURRENT STATE).
• Completing the monument’s excavation, commissioning a conservation and restoration study for the theatre’s koilon by DIAZOMA, and searching for funding programmes to implement the restoration works needed by the Theatre of Ierapetra. (NEXT STEP)

• In May 2010 the first visit of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Dionysos in Ikario, Attica, took place, in the framework of his tour of the ancient theatres and auditoriums of Attica, where he met with all local agencies regarding the promotion of the theatre of Dionysos. (link)
• In November 2013 the programming contract was signed, for €20,000, between the Ministry of Culture and Sports, the Region of Attica, and the Municipality of Dionysos, regarding the project ‘Works for the Shaping of the archaeological site of Dionysos’. (link) The funding was provided by the Municipality of Dionysos. The contract aims to shape the archaeological site of Ikario of the Municipality of Dionysus in Attica, and more specifically to arrange and classify the dispersed architectural elements, implement exploratory cuts in the space, and produce informational signs. The planning contract was not activated.
• At the same time, the pupil community of the Arsakeia-Tositsia Schools in Ekali and the schools of the Municipality of Dionysos, with the children’s teachers, as well as Mr Vassilis Lambrinoudakis, professor emeritus of Classical Archaeology at the University of Athens and a resident of Dionysos, are actively contributing to the promotion of the archaeological site of Dionysos in the ancient Attica Demos of Ikario.
• ‘DIAZOMA’ has opened a “piggy bank” – bank account for the theatre of Dionysus in ancient Ikario, Attica.

• On Tuesday, July 5, 2022, a cultural development planning contract was signed, with a budget of 20,000 euros for “Site development works at the archaeological site of the Municipality of Dionysos” by the mayor of Dionysos, Mr Giannis Kalafatelis and the Minister of Culture, Ms Lina Mendoni. The contract concerns the financing of works to develop and promote the archaeological site of Ikarion in the Municipality of Dionysos. (CURRENT STATE)
• Implementation of the works set out in the planning contract. (NEXT STEP)

• In February 2010 the first visit of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Cabireion took place, in the framework of his tour of the ancient theatres of Boeotia, where he met with all local agencies regarding the promotion of the theatre of Cabireion. (link)

• ‘DIAZOMA’ has opened a special bank account (“piggy bank”) for the ancient theatre of Cabireion in Thebes. In August 2012 a special event for the financial support of the “piggy bank” of the ancient theatre was co-organised by the Thivaion Municipality and the ‘Laios’ Cultural Development Association (link)
• In December 2013 the Programming Contract was signed, and with it the Region of Central Greece undertook funding the programme for the promotion of the ancient theatre with the amount of €50,000. (link) The programme included the following units: 1. Archaeological cleaning, 2. Survey and topography plan of the archaeological site, as well as of the decumbent archaeological material, 3. Complete photographic documentation and aerial photographs. 4. Charting the deterioration. Diagnosis of the deterioration (plan for materials) Review of older interventions. 5. Plan of the ancient water drainage system and, possibly, works to repair it, so that it is operational once more. 6. Demolition of the old shed that had been built during excavation research and construction of a covered area for the archaeological materials found in the space. 7. Signposting and informational signs.
• During 2014 the Ephorate of Antiquities of Thebes implemented archaeological cleaning and a topographic survey. (CURRENTLY)
• A new Programming Contract must be signed for further excavation research and the implementation of a monument restoration plan. (MOVING FORWARD)

Ancient Theatre of Nicopolis

• On June 13, 2009, the president of the DIAZOMA Association, Mr Stavros Benos, visited the ancient theatre of Nicopolis as part of his tour of the ancient theatres of the prefectures of Preveza and Arta, where he met with all the local bodies about the enhancement and promotion of this theatre (see here).
• The DIAZOMA Association opened a bank account (piggy bank) for the ancient theatre of Nicopolis (see here).
• On November 25, 2011, at the instigation of DIAZOMA, a Cultural Development Planning Contract was signed between the Ministry of Culture and the Region of Epirus, through which the Region of Epirus allocated 100,000 euros to the Ministry of Culture and Sports. The object of the contract is to carry out the archaeological documentation works that will contribute to the extraction of data necessary for the study and implementation of the Nicopolis theatre restoration works (see here).
• The project “Protection – maintenance and restoration of the great theatre of Nicopolis” was included in the Program “Competitiveness and Entrepreneurship 2007-2013” (NSRF), with a budget of 1,500,180 euros. The following excavation and fixing works were carried out: the necessary excavation sections that determined the conservation status of the monument and unveiled the four lower rows of the Koilon (seating area), as well as a multi-line inscription of metal letters inlaid in the floor of the orchestra; removal of dangerous fallen masonry;  fixing – recovery – masonry joints, mainly of the skene building and the perimeter stoa at the top of the koilon; carrying out supporting – specialised studies, topographic and architectural mapping; concession of municipal land around the monument; installation of fencing and creation of a tour route around the monument with information signs, including signage for persons with disabilities (Braille). (See here)
• On May 28, 2015, DIAZOMA, in the presence of the Deputy Regional Governor of the Regional Unit of Preveza, Mr Stratos Ioannou, commissioned the studies for the overall management and restoration of the monument with a donation of 150,000 euros from the Stavros Niarchos Foundation. These studies covered: a) restoration, b) 3D imaging and depiction, c) construction site layout for the lifting, moving and retrofitting of masonry, d) structural design of the retaining walls and e) maintenance of the restoration materials used in the retaining walls – masonry mortars for domes). (See here)
• These studies were completed and subsequently approved by the Central Archaeological Council in July 2016.
• On December 15, 2016, by decision of the Regional Governor of Epirus, Mr Alexandros Kahrimanis, the project “Protection, maintenance and restoration of the Great Theatre of Nicopolis (Phase B)” was included in the PROTECTION OF THE ENVIRONMENT AND SUSTAINABLE DEVELOPMENT Priority Axis of the EPIRUS Operational Programme, with a budget of 2,800,000 euros. The implementation of this project is part of the Ancient Theatres of Epirus Cultural Route programme proposed by DIAZOMA and implemented by all competent bodies. The works will be carried out according to the approved studies.

With an initial budget of 2,800,000 euros, the project consists of three subprojects:

1. the works for the protection, maintenance, and promotion of the monument, which are carried out by the Ephorate of Antiquities of Preveza.
2. the temporary wall reinforcement of the skene and paraskenion, which was implemented by the Directorate for the Restoration of Ancient Monuments, applying the approved study of Professor Kosmas Stylianidis of the Aristotle University of Thessaloniki, and
3. the theatre’s western and eastern retaining walls restoration, which will be carried out by the Directorate for the Restoration of Ancient Monuments.

Finally, the full unearthing of the koilon was followed by a study for the restoration of the lower koilon, prepared by the Ephorate of Antiquities of Preveza staff, headed by Mr Leonidas Leontaris. The study was approved by the Central Archaeological Council and increased both the physical scope of the works and the budget by 615,000 euros.

• Today, the works continue unhindered under the leadership of archaeologist Mr Evangelos Pavlidis and the civil engineer Mr Panagiotis Krokidas, with the aim of opening a recognisable and functional theatre to the public. Cleaning works, highlighting masonry contours, and soil clearing are being carried out. The research focuses on the south of the skene building, where the retaining wall with struts found during the cleaning is being unearthed. Moreover, the Directorate for the Restoration of Ancient Monuments is pushing ahead with the restoration of the koilon retaining walls in the western covered parodos and the roof of the western vaulted entrance to the diazoma, a most demanding project. Finally, in front of the western retaining wall and the western parodos, a visitors’ route will be laid out.
• On January 28, 2020, DIAZOMA, at the request of the Ministry of Culture and to meet the implementation needs of the “Ancient Theatres of Epirus Cultural Route” development programme, awarded five new contracts concerning the study, restoration and promotion of the Ancient Theatre of Nicopolis and specifically the western retaining wall and eastern paraskenion of the theatre.

These are the following studies:

-“Geotechnical survey and study for the restoration of the west retaining wall of the Ancient Theatre of Nicopolis” to EDAFOS ENGINEERING CONSULTANTS S.A.

– “Supplementary studies (static and geotechnical) for the restoration to an upright position of a wall portion at the east paraskenion of the Great Theatre of Nicopolis” to civil engineer Mr Vasilis Kasimis and EDAFOS ENGINEERING CONSULTANTS S.A.

-“Comprehensive static study for the restoration of the west retaining wall of the Ancient Theatre of Nicopolis” to civil engineer Mr Gerasimos Thomas.

– “Topographic backgrounds for the restoration of the west retaining wall of the Ancient Theatre of Nicopolis” to rural and surveying engineer Mr Panagiotis Tokmakides.

-“Tender documentation for the restoration of the west retaining wall and the restoration to an upright position of wall portion at the east paraskenion of the Great Theatre of Nicopolis” to architect-engineer Mr Evgenios Gialias.

The award of the contracts mentioned above is implemented within the framework of the cultural sponsorship of the Paul & Alexandra Canellopoulos Foundation, a corporate member of DIAZOMA.

These studies have been completed and delivered to the competent services of the Ministry of Culture for approval.

• The implementation of the project “Protection, maintenance and restoration of the Great Theatre of Nicopolis (Phase B)” is in progress, with funding of 2,800,000 euros. In particular, the restoration of the theatre’s lower koilon is currently underway, according to the approved study. The study foresees the restoration of the first three rows of seats (where the original material is preserved) and two more rows (where new material will be added). The remaining 15 rows’ sub-base will be reinforced, rendering them usable. The restoration to an upright position of the wall portion at the east paraskenion of the Great Theatre of Nicopolis is also underway. A study for the restoration of the orchestra is being carried out by the Ephorate of Antiquities of Preveza. On the occasion of the Opening Ceremony of the “Scientific Conference for the Great Theatre of Nicopolis” held on September 05, 2022, the monument reopened its gates and was presented to the public. At this conference, the new findings from work carried out in the theatre were presented. (CURRENT STATE)
• Inclusion of the Nicopolis theatre restoration project in the NSRF 2021-2027 to continue the works. (NEXT STEP)

• In 2007 the ancient theatre of Acharnes was revealed by chance at No 21 Salaminos Street, in the city centre.
• In November 2009 the President of Diazoma visited the Ancient Theatre of Acharnes in the framework of his tour of the ancient theatres of Eastern Attica, where he met with local agencies. (see here)
• In June 2010 ‘DIAZOMA’ set up the “piggy bank” for the ancient theatre. (see here)
• EPISKINION NON PROFIT was set up, following the Diazoma model, in September 2010, and it has undertaken the care and support of the “piggy bank” set up by ‘DIAZOMA’.
• In October 2011 the first expropriation of the property owned by K. Trivellas was carried out. Remuneration came to €472,018.5.
• In March 2016 the assignment of the master plan with the title ‘Complete spatial planning of cultural routes, focusing on the Ancient Theatre of Acharnes’ was signed between DIAZOMA and Mr Dimitris Oikonomou, professor of Spacial Planning, Urban Planning, and Regional Development of the University of Thessaly, and his partner Mr Ilias Kyparissias.
• April 2019 saw the completion of the second expropriation of properties, owned by Borsis, Gritsis, and Pouraimis. Remuneration came to €1,023,403.3.
• December saw reception of the first deliverable of the design and a new contract was signed for the completion of its object, following the departure of Mr Oikonomou, due to conflict of interest with his position as Minister.
• In December 2019, Nea Odos assigned the drafting of a mass transit plan as a sponsorship, and the it has been completed. The plan concerned the shaping and restoration of the historical centre of the municipality of Acharnes, and it includes the restoration of the space surrounding the area of the ancient theatre, the unification of archaeological sites, the restoration of the main square of Agios Vlasios, the renovation of the central buildings surrounding the square, pedestrianisations, municipal parking, etc.
• In June 2022, fifteen years after the monument was discovered, the Ministry of Culture completed the expropriation of the second property under which the theatre is located.
• The above two studies create a dynamic field for the protection and promotion of the theatre and the broader region.
• On Friday, November 04, 2022, the demolition works of the expropriated buildings that cover a large part of the Ancient Theatre of Acharnes began. (CURRENT STATE)
• Incorporate the projects and actions included in the studies in the NSRF 2021-2027. Secure the necessary funding to complete the excavation of the monument. (NEXT STEP)

• On Monday 15 June 2009 the President of the ‘DIAZOMA’ Association Mr Stavros Benos visited the ancient theatre of Dodoni, where he met with all local agencies regarding the promotion of the theatre. ((link))
• The ‘DIAZOMA’ Association has opened a special bank account (“piggy bank”) for the ancient theatre of Dodoni ((link))
• The ‘Restoration of the ancient theatre and other monuments of the sanctuary of Dodoni’ was incorporated in the the 3rd CSF, with funding of €2,934,702. During the incorporation of the project priority was given to the completion of the necessary support plans, as well as to the preservation works that included the entirety of the theatre koilon, with the exception of the epitheatre, as well as the architectural elements of the skene The works mainly aimed to reattach all the detached fragments and/or parts of the seats, and to fill up any large cracks. In 2007 there were restoration works on the wall of the arena, emphasising the parts that are incorporated into the skene structure. At the same time, after the completion of the two support plans, and especially the final plan for the restoration of the two eastern kerkides on the edge of the theatre, it was deemed necessary to implement a pilot programme for the restoration of the first eastern kerkida and the corresponding retaining wall, as well as the rows on either side.
• The ‘Protection, restoration, and promotion of the ancient theatre and the monuments of the sanctuary of Dodoni’ was also incorporated into the NSRF with €3,060,000 of funding. The programme aimed to protect and promote the archaeological site, in order to increase the number of visitors. It included 2 sub-projects: a) the theatre and b) the western Stoa of the Sanctuary and the other monuments of the archaeological site. Sub-project A included fixing and restoration works for part of the koilon, specifically sections of the 8 kerkides in the lower diazoma with the corresponding rows leading up, namely complete restoration of kerkides 2, 3, 4, 5, and 6, and the lower sections of kerkides 7, 8, and9.

• The ‘Protection, restoration, and promotion of the ancient theatre and the monuments of the sanctuary of Dodoni (Phase A)’ was also incorporated into the 2014-2020 NSRF, through the programme ‘Cultural route of the ancient theatres of Epirus’, with €5,000,000 of funding (Priority Axis ‘Protection of the environment and sustainable growth’ of the Regional Operational Programme of Epirus). The project includes the preservation – restoration of  part of the ancient theatre, aiming to open the first diazoma and parts of the second to the public. The wall masonry of the western stoa of the outside court of the sanctuary will be preserved, in order to avoid further damage to it and possible collapse. Furthermore, there will be improvements to the service infrastructure for the public (expansion of the parking area, biological treatment installation, lightning protection).

• In June 2022, the Ephorate of Antiquities of Ioannina announced the completion of the restoration of the lower koilon (seating area), which is now open to the public. The project “Protection, restoration, and promotion of the ancient theatre and the monuments of the sanctuary of Dodoni ” was implemented under the EPIRUS 2014-2020 Regional Operational Programme. To mark the occasion, an event was organised in collaboration with the Municipality of Dodoni on Tuesday, June 21, 2022, at the archaeological site, where the work that has been done was presented. The event was followed by a concert by the Boston Philharmonic Youth Orchestra under the musical direction of the renowned conductor Benjamin Zander. (CURRENT STATE)
• Include the monument in the new NSRF 2021-2027 and continue its restoration. (NEXT STEP).

• The works at the ancient theater of Thassos, began in July 2012. The project was included in Priority Axis 9. “Sustainable Development and Quality of Life in East Macedonia and Thrace”, OP. MAKEDONIA – THRACE 2007-2013, which was co-funded by the ERDF (European Regional Development Fund), entitled “Restoration and promotion of the Ancient Theater of Thassos”.
• The cleaning and deforestation of the area was followed by the removal of the wooden seats of the tier in order to investigate the application of the approved study proposal for their replacement with corresponding marble slabs.
• The supplies of the necessary tools and materials, as well as the personal protective equipment for the employees and the pharmacy were completed. l
• Finally, the project’s information sign was placed.
• A cluster of unencumbered gravestones were discovered and investigated following the displacement of the architectural members from the site where at the construction workplace hutches were to be placed. Both of the auxiliary public service buildings, the cleaning and the formation of the specific area led to the discovery and further investigation.
• The competition for the construction site was completed, but due to the extremely unfavorable weather conditions and the difficult access through a rugged rural road to the ancient theater, it was put in place in March.
• However, despite the adverse weather and local conditions until the end of March, the infrastructure works of the two auxiliary public service buildings (backstage, sanitary facilities) had been completed as well as the installation of the water, sewage, fire fighting and lighting networks.
• At the beginning of December, the construction crane was transferred and installed for the necessary restoration of the project. We note that our Ephorate, in consultation with the neighboring P.C.A (Ephorate of Prehistoric and Classical Antiquities), borrowed for the needs of the project the crane that existed there and had been used in the ancient theater of Maroneia. This saved a considerable amount from an economic aspect of the project and thus it can be used to cover other needs.
• Because it was deemed necessary to change the location of two of the five auxiliary buildings in order to become operational and to effectively service the needs of the Philippi Thasos Festival, the revision of their building permit proceeded. The changes were approved by the HCLA (Hellenic Society for Law and Archaeology) at its meeting on 14.04.2013 and will proceed immediately.
• The supervising team observed that the wall of the west passage of the theater had a strong inclination; a solution was sought for the problem after the autopsy of the Director of Restoration Mr. D. Svolopoulos.
• The internal filling of the wall was cleaned, and a geotechnical and static study was commissioned to restore the saved parts of the ancient wall and its restoration with the existing ancient materials.

• In November 2009 the first visit of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Thorikos took place, in the framework of his tour of the ancient theatres of Eastern Attica, where he met with all local agencies regarding the promotion of the theatre of Thorikos. (link)
• The project ‘Fixing, Restoration, and Promotion of the Ancient theatre of Thorikos’ was implemented cost-plus and by direct award by the Directorate for the Restoration of Ancient Monuments, with funding from the Fund of Archaeological Proceeds in the amount of €500,000.00 (decision No ΔΙΟΙΚ/Β/6041/Α/07.6.07.2007).
• Restoration of part of the western and central kerkides of the theatre was completed in the framework of this programme. These works concerned resetting, completing, fixing, and restoring seats, reinforcing their sub-base and completion to a limited extent with new material, following its excavation from a neighbouring quarry. Works to secure the retaining wall of the orchestra were implemented, as it was deformed and its structural material had started loosening.
• As was announced after the visit of the Minister of Culture Ms Lina Mendoni, a planning contract is being promoted between the Ministry of Culture and Sports, the Region of Attica, and the Municipality of Lavreotiki, for the cultural promotion and development of the monuments of Lavreotiki, and specifically for the promotion and restoration of the ancient theatre of Thorikos and the Ancient Metal Mine Galleries, so that they are visitable throughout the year. (CURRENTLY)
• Signing of the Planning Contract and recommencement of monument restoration works. (MOVING FORWARD)

• On 9 March 2010, DIAZOMA’s President Mr. Stavros Benos visited the ancient theatre of Platiana -Aepius during his tour of Elis’ ancient theatres, where he met with local bodies and institutions to discuss the theatre’s enhancement and promotion. (link)
• The DIAZOMA Association has set up a fundraising bank account (“piggy bank”) for the ancient theatre of Platiana-Aepius, to which the local community has keenly contributed. (link)
• Following the initiative of active local citizen Mr. Fotis Vlachos, the ancient theater of Platiana-Aepius was “adopted” by the “MAKISTOS” and the “AGIOS GEORGIOS” Associationς (the cultural associations of the Olympia villages of Makistos and Chrysochori respectively).
• On 13 December 2013, following DIAZOMA’s decisive contribution, a cultural development programme agreement of 100,000 euros for the “Excavation research, topographic and architectural survey of the ancient theatre of Platiana” project was signed between the Ministry of Culture and Sports and the Region of Western Greece—Regional Unit of Ilia (Elis). The funding was wholly provided by the Region of Western Greece—Regional Unit of Ilia. (link).
• This project aimed to provide a more comprehensive archaeological documentation of the monument through the supplementary excavation of selected theatre parts.  These works were preceded by clearing and excavation cleaning of the ancient theatre. Provision was also made for the monument’s topographic survey, new architectural mapping, recording and arranging the decumbent building materials, and finally, the preparation of structural reinforcement studies and a geological study.   These works were the necessary precursors for the ancient theatre restoration study to be drawn up. (link)
• As part of the “Excavation research, topographic and architectural survey of the ancient theatre of Platiana” project’s implementation, the 7^th Ephorate of Prehistoric and Classical Antiquities commenced excavations on 1 May 2014, which lasted until December 2014.
• Also, for this project’s needs, the topographical survey and architectural mapping of the ancient theatre were carried out by direct award. The ancient theatre’s structural study and restoration study were prepared as part of this project.
• On 2 August 2015, the study for the enhancement and promotion of the ancient theatre of Platiana was presented at the Makistos Square by its authors, architect-engineers Maria Magnisali and Themistocles Bilis. (link). This event was organized by the Ephorate of Antiquities of Ilia, the DIAZOMA Citizens’ Movement, and the “Makistos” and “Chrysochori” Cultural Associations. (link)
• On 19 January 2016, DIAZOMA and Megaron Plus organized an information day-event on “Hidden Shells: The Ancient Theatre of Platiana”. The speakers at this event were: Erofili- Iris Kollia (Head of the Ephorate of Antiquities of Ilia), Zacharoula Leventouris (archaeologist at the Ephorate of Antiquities of Ilia), and Maria Magnisali and Themistocles Bilis (architects-engineers and the theatre’s technical consultants). (link)
• On 18 October 2016, the Central Archaeological Council of the Ministry of Culture approved the ancient theatre of Platiana-Aepius restoration sturdy.

• The Ephorate of Antiquities of Ilia submitted a proposal for the restoration of the ancient theatre of Platiana in 2019, within the framework of the “Rural Development 2014-2020” call for proposals, sub-measure 19.2: “Support for the implementation of operations under the community-led local development strategy” (private actions) implemented by the Development Agency of Olympia (ANOL). Mr. Georgios Adamopoulos, civil engineer and DIAZOMA member, played a significant part in formulating this project’s technical datasheet. (link)
• In August 2019, in collaboration with the Development Agency of Olympia, the “Restoration of the Ancient Theatre of Platiana” project was incorporated in the above Rural Development Programme 2014-2020, with an initial budget of 300,000 euros and the Ephorate of Antiquities of Ilia as the project’s implementing body. The project’s objectives comprise the restoration of the theatre’s skene (stage building) and koilon (seating area) through mild restoration interventions designed to halt its material degradation. (link) (CURRENT STATE)
• Following-up the commencement of the theatre’s restoration works. (NEXT STEP)

• On 1 December 2008, the President of DIAZOMA, Mr. Stavros Benos, visited the ancient theatre of Arcadian Orchomenos as part of his ancient theatre tour. There, he met with local bodies and institutions to discuss enhancing and promoting this ancient theatre. (link)
• The DIAZOMA Association has set up a fundraising bank account (“piggy bank”) for the ancient theatre of Arcadian Orchomenos. (link)
• In May 2009, ATTICA BANK donated 30,000 euros to the Ministry of Culture and Sport as a cultural sponsorship to finance excavation works and the topographic and architectural mapping, which were used to commission the restoration study. (link)
• More specifically, the following works were carried out as a result of this sponsorship:

• Replacement of the antiquated enclosure with new fencing of a different type in harmony with the environment of the archaeological site.
• Removal of the rubble from previous excavations, particularly from the site of the skene.
• Arranging, classifying, recording, photographing, and mapping the scattered building material.
• Test pit excavations at selected parts of the monument, which helped provide a more complete picture of the form and structure of the theatre to facilitate its restoration.
• Detailed architectural documentation of the monument.

• The Prefecture of Arcadia allocated 200,000 euros to the Ministry of Culture via a Programming Agreement to construct a road to the ancient theatre of Arcadian Orchomenos. The construction has been completed.
• The project “Enhancement and promotion of the archaeological site of Arcadian Orchomenos,” which fell under the priority axis “012: Sustainable Development and Quality of Life” of the Operational Programme “Western Greece- Peloponnese- Ionian Islands 2007- 2013,” was carried out with funding from the NSRF and a budget of 500,000 euros. Work on the ground commenced in June 2011 and was completed in September 2014. It focused on the entrance tower at the Acropolis site, the guard booth-visitor service point building, the site of the Agora, particularly the North Stoa and East Stoa (Bouleuterion), the Temple of Artemis, the tour paths, and the theater itself. As regards the theatre, cleaning was carried out mainly at the koilon, the skene-proskenion complex, and the rainwater drainage system. In addition, a metal ladder was constructed over the south retaining wall. (link)
• On 8 June 2011, an event was held at the Old Parliament House in Athens to promote the ancient theatre of Arcadian Orchomenos. The event was organized by the Panarcadian Federation, the 39th Ephorate of Prehistoric and Classical Antiquities, and the DIAZOMA Association. Its aim was to secure the synergy of institutional bodies and the citizens of Arcadia, under the shared vision of the complete excavation, protection, enhancement, and promotion of the ancient theatre. (link)
• On 20 August 2011, the Theatre Group of Tripoli staged a twilight performance of the play “Eventide at Orchomenos,” which was open to the public. (link) The event was co-hosted by the 39th Ephorate of Prehistoric and Classical Antiquities, the “Filotechnicos Omilos Levidiou” cultural group, and the Theatre Group of Tripolis in the context of the 9^th Panlevidiotiko Antamoma festival. (link)
• In February 2012, the DIAZOMA Association commissioned architect-engineer Mr. Stratis Pavlidis with the study for the restoration of the ancient theatre, with funds raised by the monument’s “piggy bank.” The “piggy bank” fundraising was supported by ATTICA BANK, the Local Association of Municipalities and Communities (TEDK) of Arcadia, citizens, and associations of the region.
• On 24 December 2012, at the urging of the DIAZOMA Association, a Cultural Development Programme Agreement amounting to 50,000 euros to reveal the monument was signed between the Municipality of Tripolis, the Region of Peloponnese, and the Ministry of Culture and Sport. The object of the agreement was to carry out excavations at the site of the ancient theatre and, specifically, to fully reveal the drainage system, excavate the koilon (seating area), with particular emphasis on the two principal seating sections (kerkides) and their limits, and carry out test pit excavations at the diazoma (curved walkway separating the seating) and epitheatron (upper tier of seating), and fully reveal the skene (the building behind the orchestra). Funding was provided by the Municipality of Tripolis. (link)
• In January 2017, the DIAZOMA Board of Directors took receipt of the restoration study for the ancient theatre of Arcadian Orchomenos and forwarded it to the competent bodies of the Ministry of Culture for approval. (link)
• On 17 August 2019, a musical event dedicated to the poetry of great poets set to music was held at the ancient theatre of Arcadian Orchomenos with performances by Lakis Chalkias and Sofia Papazoglou. The event was co-hosted by the Region of Peloponnese, the Municipality of Tripolis, the Ephorate of Antiquities of Arcadia, and the Local Community of Orchomenos. (link)
• In January 2019, the Central Archaeological Council (KAS) approved the restoration study commissioned by the DIAZOMA Association. (CURRENT STATE)
• The study’s implementation needs to be included in a European or sponsorship funding programme. (NEXT STEP)

• ‘DIAZOMA’ has developed a scientific partnership with the French (Archaeological) School at Athens, which was validated with the signing of the Contract Granting Rights providing for the mutual exchange of scientific materials that are being produced and which shall be produced on the ancient theatre of Delphi.
• ‘DIAZOMA’ has opened a “piggy bank” (an electronic bank account) for the ancient theatre of Delphi. (see here). The “piggy bank” was supported through the kind sponsorship of the sisters Theodora and Polytimi Andrianopoulou, Ms Fani Anairousi, the Mediterranean Film Institute, the adoption of the ancient theatre by Varvakeio Experimental High School, and I.M. Panagiotopoulos School, as well as many other donors.
• In March 2011, ‘DIAZOMA’ assigned the plan for the restoration of the ancient theatre of Delphi to researchers Eleni – Anna Chlepa and Konstantinos Papantonopoulos. The cost of the assignment was covered by the money that had accumulated in the piggy bank (electronic bank account) of the theatre.
• An event was held in March 2011 at the Archaeological Museum of Delphi, in honour of Theodora and Polytimi Andrianopoulou and for their contribution to the restoration of the theatre of Delphi. (link)
• In June 2012 the final plan was completed and delivered to ‘DIAZOMA’, and it was immediately approved by the Central Archaeological Council (C.A.C.) The plan included 1) the necessary surveys of the monument, 2) the documentation plan, and 3) the restoration plan for the two retaining walls of the parodoi, the side retaining walls, the northern retaining wall, the individual problematic areas in the koilon, the fixing and restoration of the geometry of the koilon, completion of the missing rows in the surviving kerdkides, as well as the drafting of proposals for the better protection and presentation of the skene structure.
• In October 2012 ‘DIAZOMA’ assigned the Geotechnical Plan Contract for the ancient theatre of Delphi to Mr Giorgos Dounias and the ‘Edafos S.A.’ Company.

• Within the framework of the Agreement, the works were divided into two sub-projects.

• The sub-project of the Contract includes:
• The Region of Central Greece (R.U. of Phocis) made available the amount of €1,700,000 through the Planning Contract from the Public Investment Programme, for the implementation of monument restoration works, as they are described in the plans that have been approved by the C.A.C. (link in Greek)
• Drainage works at the theatre and the northern slope of the koilon.
• Restoration of the koilon, pillars of the orchestra, and cleaning of the perimeter pipe.
• Restoration of retaining walls (parodoi, sides, northern retaining wall)
• Acquisition of new stones.
• Implementation of specialised individual plans (Work site plan, Geotechnical enlargement and plan, Updating mortar, grout, and artificial stone composition plan, Implementation plan for the restoration of the theatre’s retaining walls, Plan for the adhesion of architectural elements to each other, Plan for the rainwater drainage of the theatre and northern slope).
• Movement, plan, and survey of the dispersed architectural elements from the retaining walls, the koilon, and the skene.
• Field work.
• Sub-project 2 of the contract includes the assignment of service provision for the supervision of the restoration project of the ancient theatre of Delphi.
• The aforementioned agreement was completed on 21 November 2018. Only part of the 1^st sub-project had been implemented by its expiry date, and the 2^nd sub-project was not implemented. The amount of 288,138.22 euros was absorbed from total funding.
• On Friday, 13 December 2019, the new Cultural Development Programme Agreement “Completion of the restoration of the Ancient Theatre of Delphi” for completing the works was signed between the Ministry of Sport & Culture and the Region of Central Greece. The duration of the programme agreement is 36 months, and its total budget amounts to 1,411,861.78 euros.
• The new Agreement includes the following sub-projects:
• Subproject 1: completion of the restoration of the ancient theatre of Delphi (implementation of the remaining works that could not be completed during the first agreement).
• Subproject 2: commissioning a provider for the supervision of the restoration works of the ancient theatre of Delphi. This sub-project will be implemented by the Directorate for the Restoration of Ancient Monuments, following an open call for tenders and allocating the relevant contract (recruitment of a technical consultant).
• Recruitment of a technical consultant. (CURRENT STATE)
• Monitoring and completing theatre restoration works. (MOVING FORWARD)

• The project “Maintenance, restoration and promotion of the ancient theater of Larissa” was included in the N.S.R.F with funding of 1,500,000 Euros.
• Within the framework of the N.S.R.F. for the period of 2007-13, works were carried out aiming at the immediate stabilization and preservation of the surface of the marble and the porous front parts in the main theater, the scenery, as well as the perimeters of the orchestra.
• Meanwhile, the aesthetic restoration of the architectural pieces was achieved and visually a better monumental assembly was created.
• In addition, works have been carried out to improve the projection, recognition and the highlighting of the monument.
• On May 21, 2014, a contract concerning the “Creation of a website for the ancient theater of Larissa” was signed at the offices of “DIAZOMATOS” The contract was signed by the president of “DIAZOMATOS”, Mr. Stavros Benos and Mr. Lynn Patchett.
• The total funding allotted for the ancient theater of Larissa through the N.S.R.F amounts to 2 million Euros.
• Through a programming contract between the Ministry of Culture and Sports of the Municipality of Larissa and the Region of Thessaly, the completion of the works has been financed for the renovation of the seats in the main theater, as well as some of their placements in their original positions.
• The restoration assignment of the studies of the ancient theater (main theater, preserved section of the aisle and of the upper theater, the retaining walls, as well as the stage building) was commissioned, with a sponsorship of 100,000 Euros from the PAVLOS & ALEXANDRA KANELLOPOULOS FOUNDATION and $ 50,000 by the JM KAPLAN FUND FOUNDATION.
• The planning of the study is in progress.
• The Municipality of Larissa is promoting the urban expropriation of two building blocks adjacent to the ancient theater of the city.
• A proposal has been made for the ‘pedestrianization’ of Venizelos Street and the restoration of the facades of the apartment buildings in the city center, which are adjacent to the ancient theater. This proposal has been made in order for the project to be included in the program “Visual interventions on the facades of public buildings of the Region”. This project will be funded by the Business Program “Transport Infrastructure, Environment and Sustainable Development” of the MINISTRY OF ENVIRONMENT AND ENERGY.
• On Monday, 2 November 2020, the Ministry of Culture approved the study entitled “Restoration of the skene of the Ancient Theatre of Larissa I – Phase 1” and the corresponding maintenance study prepared by the Ephorate of Antiquities of Larissa.
• Following the approval of the skene’s restoration by the Central Archaeological Council (KAS), additional funding of 3.4 million euros through the NSRF 2014-2020 was approved for the restoration of the theatre’s skene (the building behind the orchestra). This project will be included as a subproject of the works already being carried out at the theatre with NSRF Funds, which were approved in 2019, as it enhances the project’s functionality.

• Dynamic and exemplary progress in the monument’s restoration works. (CURRENT STATE)

• Completion of the monument’s restoration works. (NEXT STEP)

• ‘DIAZOMA’ opened a “piggy bank” (a bank account) for the ancient theatre of Lindos. (link)
• In August 2011 the planning contract was signed between the Region of Southern Aegean and the Ministry of Culture and Sports, with €100,000 of funding, for the promotion of the ancient theatre of Lindos. (link)
• The €100,000.00 of funding was made available by the Region of the Southern Aegean for excavation and fixing works, as well as for topographical and architectural surveys, which will provide us with valuable material for the future assignment of the plan for the restoration of the theatre.
• The plan for the topographical and planning survey, recording the problem areas, and for a proposal for the restoration of the theatre, was drafted by architect Angeliki Markou. This plan was assigned directly by the 12th Ephorate of Prehistoric and Classical Antiquities with funding from the Programming Contract, and it has been completed.
• In May 2016 the preliminary plan for the promotion of the ancient theatre of Lindos was approved by the C.A.C. (CURRENTLY)
• The incorporation of the implementation of the restoration plan into a European or sponsorship funding programme is pending. (MOVING FORWARD)

• In 2007, the “Ancient Theatre of Mieza: Research-Preservation-Restoration” project was included in the “Cultural Egnatia” programme of the 3^rd Community Support Framework (CSF) with a budget of € 500,000. The preservation and restoration study was carried out by a research and study group under Mr George Karadedos, Professor emeritus of architecture at the Aristotle University of Thessaloniki.
• The works were carried out between August 2007 and December 2008 by the 17th Ephorate of Prehistoric and Classical Antiquities. They led to the restoration of the scaenae frons and part of the cavea with new stones as per the study, the aesthetic restoration of part of the new stones and the partial preservation of the ancient stones. New data emerged concerning an earlier phase of the theatre, which dates to the Hellenistic era.
• On 6 December 2008, DIAZOMA Association President Mr Stavros Benos visited the ancient theatre of Mieza as part of his tour of the ancient theatres of Northern Greece. There, he met with local bodies and institutions to discuss the theatre’s enhancement and promotion. (link).
• The DIAZOMA Association has set up a fundraising bank account (“piggy bank”) for the ancient theatre of Mieza. (link)
• The project “Preservation- enhancement of the ancient theatre of Mieza- Phase B” was included in the Operational Programme “Macedonia-Thrace” of the NSRF, with a budget of € 750,000.
• The physical aspects of the project included interventions on the theatre’s ancient stones, their preservation and restoration, and the configuration of parts of the theatre and the surrounding area. More specifically, the following works took place:

SUBPROJECT 1:

1. Final configuration of the orchestra floor with a coating of soil and inert material.
2. Final configuration of the scaenae frons and proscenium floors with a coating of soil and inert material.
3. Cleaning, configuration and coating with soil and inert material of the space behind the scaenae frons.

4.Strengthening parts of the natural rock. Final filling in to recover the volume of the cavea above the surviving tiers of the theatre.

5. Configuration of the spaces north and south of the scaenae frons and final coating of said spaces with soil and inert material.
6. Final extension of the north and south retaining walls.
7. Cleaning, preservation, and filling with mortar of the cavea’s ancient stones.
8. Final sculpting and restoration work on the new stones to ensure they aesthetically resemble the ancient stones.
9. Configuration of a walkway at the top of the cavea providing visitors access and a vantage point to the monument.
10. Conversion of the open drains in the middle and upper parts of the cavea into enclosed storm drains.
11. Construction of copies of the proscenium’s semi-columns.
12. Installation of new information signs with a wealth of material about the restoration and preservation works.
13. Installation of a new fence. Installation of a fence on land parcel no. 26 of the Ano Kopanos farm, which was expropriated as part of the project and where the theatre’s scaenae frons is located.
14. Aerial photography of the ancient theatre before and after completing the preservation and enhancement works.
15. Publication of an information booklet on the Ancient theatre of Mieza, including the restoration and enhancement works.
16. Construction of a lighting network.

• Following the completion of works in July 2014, the theatre of Mieza became an archaeological site open to visitors.
• The first round of administrative decisions on the expropriation of private land in the area of the scaenae frons of the ancient theatre of Mieza was completed with the publication of the relevant Joint Ministerial Decision Δ10Δ1119117/3863/0010/2-10-2012 (Government Gazette 321/τ.ΑΑΠ/17-10-2012).
• Its restoration complete, the ancient theatre of Mieza opened to the public on 7 August 2017. In collaboration with the Philippi Festival and the Municipality of Naoussa, Euripides’ Iphigenia in Aulis, directed by Theodoros Gonis, was presented in the form of a “theatrical analogion”. (link)
• Restoration work on the cavea of the ancient theatre of Mieza has been completed (CURRENT STATE)

• Expropriation of land parcel No. 26 (3,202.20 m²) of the Kopanos Farm, where the theatre’s scaenae frons is located, must be completed. (NEXT STEP).

• On 26 February 2009, DIAZOMA President Mr. Stavros Benos visited the ancient theatre of Sicyon as part of his tour of ancient theatres in the regional unit of Corinthia. There, he met with local bodies and institutions to discuss enhancing and promoting this ancient theatre. (link)
• The DIAZOMA Association has set up a fundraising bank account (“piggy bank”) for the ancient theatre of Sicyon. On 28 June 2019, a special event took place in the theatre’s forecourt. The Kiato Branch of the “Lykeio ton Hellenidon” (Lyceum Club of Greek Women) and its president Mrs. Maria Fotopoulou-Karambetsou announced the “piggy bank’s” opening and a donation of 1,000 euros by the Kiato Branch. (link)
• On 15 May 2014, at the DIAZOMA Association’s urging, the Ministry of Culture and Sports, the Region of the Peloponnese, and the Municipality of Sicyon signed the “Unveiling, Protecting and Enhancing the Ancient theatre of Sicyon” cultural development programme agreement of 200,000 euros. This programme is funded by the Region of the Peloponnese- Regional Unit of Corinthia and the Municipality of Sicyon, each providing 100,000 The programme aims to comprehensively protect the ancient theatre, rescue it as archaeological evidence and historical testament, halt further loss of original materials, preserve, restore, enhance and promote the monument’s original identity as a work of architecture, create an authentic and recognizable image of the theatre, make it operational again, and, lastly, prepare it to host visitors safely and deliver it to the local community. (link)
• The schedule of the above programme agreement included the following units:

Phase A

• Preliminary works
• Adoption of immediate rescue measures to protect the already uncovered ancient members.
• A Preparation of an architectural study and masterplan, to be submitted for approval at the co-competent Directorates of the Ministry of Culture and Sport.
• Drawing up preparatory conservation and restoration studies.

• In August 2014, the works provided for by the “Unveiling, Protecting and Enhancing the Ancient theatre of Sicyon” project commenced.
• On 14 April 2016, DIAZOMA commissioned architect-engineer Mr. George Biniaris to prepare the preliminary study “Restoration and enhancement of the ancient theatre of Sicyon”. The cost was covered by the ancient theatre’s “piggy bank”. (link) The study’s object is the ancient theatre of Sicyon’s restoration-enhancement, the completion of the surviving remains of its koilon (seating area), and the preparation of an architectural study for its restoration.
• On 22 February 2017, the above preliminary study was completed and received by the DIAZOMA Association Board of Directors. (link)
• On 21 November 2017, at the urging of DIAZOMA, a new Programme Agreement for the Ancient theatre of Sicyon was signed between the Ministry of Culture, the Region of the Peloponnese, and the Municipality of Sicyon for the project “Unveiling, Protecting and Enhancing the Ancient theatre of Sicyon (Phase B) and Investigating the Ancient Stadium of Sicyon”. The Region of the Peloponnese (through the Regional Unit of Corinthia) and the Municipality of Sicyon undertook to fund Phase B of the research programme to the amount of 100,000 euros each. (link)
• The Programme includes Phase B of the works, namely:
  • Completing the theatre unveiling works based on the Outline Plan provisions, accompanied by archaeological and photographic documentation.
  • Completing the planned research for the monument’s conservation, restoration, and enhancement and the preparation of the relevant studies according to the Outline Plan’s specifications.
  • Highlighting the theatre’s connection to the ancient stadium, in which works will be carried out to identify its form.
  • Developing information materials to promote the monuments. The Programme’s total budget amounts to 200,000 euros.
• This funding was used to carry out works to unveil the ancient theatre (lower koilon (seating area), retaining walls, euripos (water drainage canal), connection to the ancient stadium, as well as the simultaneous preparation of the monument’s restoration study.
• On 25 November 2020, an amendment to the 21/11/2017 Programme Agreement was signed to extend the agreement’s timetable to 31/03/2021. It also increased its budget by 20,000 euros to enable commissioning of the restoration study. The amount of 20,000 euros is being provided by the Municipality of Sicyon. The study is expected to be completed in March 2021, so that the project can be incorporated in the following NSRF programming period.
• The study was commissioned and completed in the summer of 2021. It has been forwarded to the Ministry of Culture for approval, so that the works can be incorporated into the NSRF’s next programming period. (CURRENT STATE)
• Approval of the monument’s restoration study by the Central Archaeological Council (KAS) and incorporation of its restoration works in the upocoming NSRF 2021-2027. (NEXT STEP)

• With a sponsorship of € 111,000.00 by the Stavros Niarchos Foundation, “DIAZOMA” commissioned the architect-engineer, Mr. William Orestidis and his team, for a study of the restoration of the monument, which will include the architectural depictions of the monument, the recording of its pathology, archival research and the collection of photographic material and other evidence for the excavations, the recording and investigation of scattered architectural members, and finally proposals for the restoration and promotion of the theatre .
• The signing of a Framework Agreement between the Region of the Peloponnese, the Regional Unity of Lakonia, and the Ministry of Education, Research and Religious Affairs is also in progress, for the amount of 100,000.00 €, for the additional excavation research and the topographical and architectural depiction of the monument.
  • On Wednesday, July 10, 2013, during the meeting of the Board of Directors of the DIAZOMA Association, the scholar, architect-engineer, Mr. William Orestidis, presented to the members of the board the study that he prepared for the restoration of the ancient theatre of Sparta.
• The study was received by a special committee of the DIAZOMA Association, and was sent for approval to the relevant departments of the Ministry of Culture and Sports.
• On Tuesday, October 15, 2013, the study of the restoration of the ancient theatre of Sparta was approved by the Central Archaeological Council.
• On Thursday, May 08, 2014, the contract for the assignment of a topographic study for the project “Construction of a dependent topographical diagram of a property owned by Dimosthenis Matala in zone A of the archaeological site of the Acropolis of Sparta, south of the ancient theatre” was signed at the offices of the Diazoma Association. The contract was signed by the president of the DIAZOMA Association, Mr. Stavros Benos and by Mr. Ioannis Yaxoglou, Rural and Surveying Engineer. The assignment of the above topographic study was carried out after the important donation of land made by Mr. Dimosthenis Matalas, former Mayor of Sparta, to the Greek State and the Ministry of Culture. The plot is located within zone A of the archaeological site of the Acropolis of Sparta, south of the ancient theatre.
  The J.M. Kaplan Fundation, operating in New York, donated $ 100,000 (€ 81,070.13) in February 2018 for the enhancement of the theatre in order to reinforce the first phase of the associated restoration works.
• On 18 June 2021, work commenced on the restoration and enhancement of the ancient theatre of Sparta, which is located on the ancient city’s Acropolis. The project is funded by the NSRF (Operational Programme of the Region of the Peloponnese) with the co-financing of the European Union (European Regional Development Fund).  The implementing body is the Ministry of Culture and Sport and the Ephorate of Antiquities of Lakonia.
• In June 2021, restoration works began at the theatre under the NSRF 2021-2020. (CURRENT STATE)

• Restoration work has been underway since July 2021 (CURRENT STATE)
• Monitoring of the works (NEXT STEP)

• On Saturday 15 November 2008 the first visit of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Koufonisi in Lefki took place, in the framework of his tour of the ancient theatres of Crete, where he met with all local agencies regarding the promotion of the theatre of Koufonisi. (link)
• Subsequently, ‘DIAZOMA’ opened a “piggy bank” (a bank account) for the ancient theatre of Koufonisi in Lefki. (link)
• In 2009 the former Prefecture Local Government of Lasithi funded a geophysical study of the ancient theatre of Koufoniki in Lefki with a planning Contract.
• The geophysical survey, which has been completed, was implemented jointly with the theatre of Ierapetra.
• Architects Yiorgos Kannavakis and Liana Efthymiadou voluntarily drafted the plan for the protection of the monument from the weather conditions and the natural sandblasting from the fierce wind storms. The above plan was approved by the Local Archaeological Council.(ΣΤΙΓΜΑ)
• We must move forward with implementation of the above plan in combination with the drafting and funding of the overall programme for the promotion and protection of this unique and symbolic theatre. (MOVING FORWARD)

The position of the theater of Amphilochikou Argos has been known since 1916, but has not yet been excavated, which is why only some of the stone blocks of the theater are visible.

• In December 2008, touring the ancient theatres of Northern Greece, the President of DIAZOMA carried out a working visit at the Ancient Theatre of Amphipolis, where he met local bodies and institutions.
• DIAZOMA has set up a fundraising “piggy-bank” (online bank account) for the ancient theatre of Amphipolis (see here).
• On 28 March 2013, the Government Gazette (FEK 100/ 28-03-2013) published the Joint Ministerial Decision decreeing the compulsory expropriation of a plot of land in Amphipolis, Serres, for archaeological purposes, specifically to allow the future excavation and unearthing of the ancient theatre of Amphipolis. The state was appointed the expropriation’s beneficiary, and the DIAZOMA non-profit Association covered the cost of 5,685.18 euro.
• On Monday, 24 November 2014, the Government Gazette (FEK 362 / 24-11-14- Compulsory Expropriations and Urban Planning Matters) published the notification for the deposit of the compensation arising from the compulsory expropriation of land at the archaeological site of Amphipolis, Serres, for archaeological purposes.
• This publication followed the deposit of 5,685.18 euro (the amount determined by law as compensation for the expropriation) made by the DIAZOMA Association at the Consignment Deposits and Loans Fund (Central Service).
• The expropriation has been completed, and the Ephorate of Antiquities of Serres has begun the process of remitting the property to the State as a precondition for the commencement of excavations. (CURRENT STATE)
• Once the process of remitting the property to the State is completed, a Programme  Agreement between the Ministry of Culture and Sport, the Region of Central Macedonia, and the Municipality of Amphipolis for the “Excavational research at the ancient theatre of Amphipolis” will be signed. (NEXT STEP)

Last update, April 2020

• In September 2009, the President of Diazoma Mr Stavros Benos held a working visit to the Ancient Theatre of Gitana, where he met with local agencies. (see here)
• ‘DIAZOMA’ has opened a “piggy bank” (an electronic bank account) for the ancient theatre of Gitana. (see here)
• In May 2012 the planning contract was signed between the Ministry of Culture and the Region of Epirus for the documentation and protection of the ancient theatre of Gitana.
• Funding worth €100,000 was provided by the region of Epirus. The object of the programme was the implementation of the necessary works for the documentation and immediate preliminary protection measures at the ancient theatre, works which would contribute to the collection of the necessary archaeological data, allowing for a future restoration plan of the monument (link).
• ‘Diazoma’ used the “piggy bank” money to assign on Friday 11 January 2013 the contract for the project ‘Exploration of 3D Laser Scanner potential in monument documentation: Implementation of 3D digital model of the ancient theatre at Gitana’ to Democritus university of Thrace.
• In February 2013 the amendment to the Planning Contract was signed, along with an increase to the initial budget by €30,000.00, in order to incorporate the required restoration plan assignments into the funding programme. The object includes the following units:
  • Implementation of temporary shoring of the western wall of the fortification above the theatre.
  • Clearing vegetation.
  • Checking and completing the current land and architectural survey.
  • Collection – classification and documentation of dispersed architectural elements.
  • Excavation research.
  • Planning survey.
  • Photographic documentation.
  • Conservation – protection works.
  • Collection of inscription moulds.
  • Work site – technical infrastructure.
  • Geotechnical design.
  • Chemical – mineral analyses.
  • Architectural design.
  • Structural design. (link)
• The assignment of the following designs was completed by the competent Ephorate of Antiquities:
  • architectural survey and documentation of the skene structure, the orchestra, and the central kerkides of the ancient theatre of Gitana, to Ms Irene Doudoumi, architect – engineer.
  • fixing, restoration, and promotion design for the skene structure, the orchestra, the central kerkides of ancient theatre of Gitana, to Mr Konstantinos Zambas, civil engineer,
  • geophysical – technogeological plan of ancient theatre of Gitana, to the Institute of Geology & Mineral Exploration (IGMEM),
  • structural design of the ancient theatre of Gitana in Thesprotia, to Mr Gerasimos Thomas, civil engineer,
  • reconstruction research plan for the skene structure of the ancient theatre of Gitana, to Mr Efstratios Pavlidis, architect – engineer,
• In October 2014 the above plans were approved by the C.A.C.
• In September 2018 ‘DIAZOMA’ assigned the contract for the work ‘Production via the MIND THE GAP programme of a special map for the blind for archaeological sites of: Ginata, b. Kassopi, c. Nikopolis, d. Amvrakias’ to the Company ‘DALKAFOUKI OIKOS LTD’, with funding from the Pavlos & Alexandra Canellopoulos Foundation.
• The implementation of the work ‘Basic Infrastructure and Works for the Restoration and promotion of the Ancient Theatre of Gitana (Phase A)’ is under way, with €1,200,000,00 of funding from the Epirus 2014-2020 ROP – ‘Cultural route of the theatres of ancient Epirus’ .
• A new study for the second phase of the restoration works was submitted to the Central Archaeological Council (C.A.C.): the plan for the architectural survey-documentation and restoration of the plinths and seats along the edges of the ancient theatre. In January 2020, the above project was approved by the C.A.C. The implementation of the “Basic Infrastructure and Works for the Restoration and promotion of the Ancient Theatre of Gitana (Phase A)” with a budget of €1,200,000 under the EPIRUS 2014-2020 Regional Operational Programme – “Cultural route of the theatres of Ancient Epirus” was completed and the monument was re-opened to the public.  On Wednesday, June 29, 2022, a special workshop was held at the Archaeological Museum of Igoumenitsa with a detailed presentation of the restoration and enhancement and promotion works of the ancient theatre of Gitana by the Ephorate of Antiquities of Thesprotia. (CURRENT STATE)
• Ensure the inclusion of the second phase of the monument’s restoration in the new NSRF 2021-2027. (NEXT STEP)

• The project “Securing, restoring, enhancing and promoting the ancient theatre of Oeniades” has been included in the NSRF 2014-2020 with a budget of 700,000 euros, within the framework of the investment priority “CONSERVING, PROTECTING, PROMOTING AND DEVELOPING NATURAL AND CULTURAL HERITAGE” of priority axis “ PROTECTION OF THE ENVIRONMENT – TRANSITION TO AN ENVIRONMENTALLY FRIENDLY ECONOMY” of the O. P. “WESTERN GREECE 2014-2020”. The relevant notice for personnel recruitment has already been published. (CURRENT STATE)
• Monitoring the restoration works. (NEXT STEP)

• In November 2008 the President of Diazoma visited the Ancient Theatre of Aptera in the framework of his tour of the ancient theatres of Crete, where he met with local bodies. (see here)
• ‘DIAZOMA’ has opened a “piggy bank” (an electronic bank account) for the ancient theatre of Aptera. (see here)
• Phase A of theatre restoration works was implemented based on the plan approved by the C.A.C. (ΥΠΠΟ/ΔΑΑΜ/56/40285/22-4-2008) and with €900,450 in funds from the 3rd Community Support Framework – Regional Operational Programme of Crete (CSF – ROP).
• The continuation of the project was incorporated into the 2007-2013 Crete and Aegean Islands ROP NSRF, with €2,440,000.00 of funding.
• For the restoration of the ancient theatre of Aptera, its promotion, and mild interventions in reshaping the surrounding area, the following works were implemented: clearing vegetation, removal of lime kiln, stabilisation, test cuts in the koilon, clearing soil from the surrounding area and from within the monument, preservation of movable findings, preservation of architectural elements, carving, placing architectural elements in the monument, surveying & indexing the elements. Completion of the drainage works with the instalment of a modern rainwater pipe and maintenance works on the skene’s walls, maintenance of the koilon foundation, in places where no seats are preserved and covering with sterile soil, photographic and design documentation, aerial photographs, informational signs, creation of a poster, a tablet app, and a bilingual video, organising a colloquium to present the project’s results, placement of a commemorative sign, shaping the surrounding space, creating tour routes, construction of two stop positions.
• The expropriation of the property by T.A.P.A. (Archaeological Receipts and Expropriations Fund) was declared in 2011 (GG Issue 273 on Compulsory Expropriations and Urban Planning/ 21-10-2011), with a budget of €508,620.00
• On 12 December 2015 the ancient theatre of Aptera was delivered to the public. The archaeological site can be visited and the theatre is a pole of attraction for many visitors. (CURRENTLY)
• The goal for the future is to provide further care for the archaeological site, focusing on the Ancient Theatre. (MOVING FORWARD)

• ‘DIAZOMA’ has developed a scientific partnership with the French (Archaeological) School at Athens, which was validated with the signing of the Contract Granting Rights providing for the mutual exchange of scientific materials that are being produced and which shall be produced on the ancient theatre of Delos.
• ‘DIAZOMA’ has opened an electronic bank account (a “piggy bank”) for the ancient theatre of Delos. (see here)
• The opening of the “piggy bank” was announced at a special event held by ‘DIAZOMA’ at Megaro Hypatia on June 2011. (see here)
• In June 2011, ‘DIAZOMA’ assigned the restoration plan for the ancient Theatre of Delos to researcher and civil engineer Mr Konstantinos Zambas. The cost of the assignment was covered by the theatre’s “piggy bank” and the generous sponsorship of OPAP SA. The plan included: 1) general planning of the interventions in the broader area of the theatre, 2) the final plan for the restoration of the theatre koilon, and 3) the final plan for the restoration of the 2 sections of the retaining walls that are crumbling.
• The plan for the restoration of the ancient theatre of Delos started being drafted on Monday 11 July 2011.
• In February 2012 the plan was completed and delivered to ‘DIAZOMA’.
• On Tuesday 06 March 2012 it was approved by the Central Archaeological Council of the Ministry of Culture and Tourism (C.A.C.). (CURRENTLY)
• The incorporation of the implementation of the restoration plan into a European or sponsorship funding programme is required. (MOVING FORWARD)

• In January 2009 the president of Diazoma Mr Stavor Benos held a working visit to the ancient theatre of Demetrias in the framework of his tour of the ancient Theatres of Magnesia – Larissa, during which he met with local agencies (see,here)
• ‘DIAZOMA’ has opened a “piggy bank” (an electronic bank account) for the ancient theatre of Demetrias. (see here).
• Works at the ancient theatre have been completed in the framework of the project titled: ‘Restoration and repair of sections of the ancient theatre of Demetrias and overall improvement of the monument and its surrounding space’, with €750,000.00 of funding from the NSRF – Operational Programme ‘Thessaly – Central Greece – Epirus 2007 – 2013’.
• The project provided for the restoration of two semicolumns with the entablature of the Hellenistic proscenium stoa between them, the restoration and coverage of the pipe for the collection and removal of rainwater around the orchestra, the addition of stones to the bases of the seats and works for the systematic cleaning and maintenance of the skene and of the stones of the koilon, as well as of the monument complex located inside the Theatre plot. The restoration plan was drafted by architect – engineer Ms Vasileia Manidaki.
• The ancient theatre of Demetrias has been fully restored and all foreseen works have been completed. (CURRENTLY)
• The Ancient theatre of Demetrias is included in the new invitation of the Thessaly 2014-2020 ROP, titled ‘Utilisation of the Cultural Reserve of the Culture – Tourism route in Thessaly’ (July 2018), which concerns the funding of interventions for the protection, restoration, and promotion of the cultural heritage of the Region, aiming at contributing to the tourism growth of the regions incorporated in the Integrated Territorial Investment – Cultural Route of Thessaly. (MOVING FORWARD)

• In the framework of the 2nd General Meeting of Diazoma, which was held on Sunday 13 December 2009 at the Amphitheatre of the New Acropolis Museum, the members of the Association had the opportunity of visiting three very important theatres of Athens: the theatre of Dionysus, the Odeon of Pericles, and the Odeon of Herodes Atticus. (link)
• The ‘DIAZOMA’ Association has opened a special bank account (“piggy bank”) for the ancient theatre of Dionysus. (link)
• On 27 April 2010 the Athens Prefecture, with the personal contribution of former Prefect and Governor Mr Ioannis Sgouros, made available via Planning Contract to the Ministry of Culture and Tourism €6,000,000 for the ‘Restoration of the ancient theatre of Dionysus’ (link)
• The object of this contract were the following sub-projects:
  • Completion of the the restoration of the Choragic monument of Thrasyllos.
  • Gradual restoration and promotion of the koilon of the Theatre of Dionysus – Phase A (specifically, the three central kerkides).
  • Completion of the restoration of the eastern retaining side wall.
  • Completion of the restoration of the pedestals and the copy of the statue of Menander on the eastern parodos.
• A small part of the project in the central kerkida of the monument was completed as a pilot project in 2009.
• After the abolishment of Credit Management Fund for the Execution of Archaeological Projects and following coordinated efforts by central services of the Ministry of Culture and Sports, the Diazoma Association, and the Scientific Committee of the South Slope of the Acropolis, and in accordance with decision of the Ministry of Development and Competitiveness dated 28/07/2104 (ΣΑΕ014-ΠΔΕ 2014, AΔΑ: ΩΡΗΣΦ-ΒΞΒ), the ‘Restoration of the Ancient Theatre of Dionysus’ project was incorporated into the Public Investment Programme.
• In 2017 the restoration of the Choragic monument of Thrasyllos was completed by architect-restorer of the Ephorate of Antiquities of Athens, Mr Konstantinos Boletis.
• Currently, two restoration programmes are under way: the restoration of the central section of the koilon, and the restoration of the eastern side wall at the Theatre of Dionyses.
• Works inside the koilon include “glueing” together fragments of architectural elements, completion using new stone, and construction of completely new seats and rows. The restoration of the VIII (middle) kerkida of the theatre was completed in 2019. A new from of works has been created on the next kerkida, VII, and on kerkida VI, where the project’s crane bridge has been moved.
• For the completion of the restoration of the eastern side wall, casting, shaping, and placement of new dolomite stones and supplementations to the ancient stones at the end of the wall (corner area-the point were it meets the northeast retaining wall of the theatre).
• Dynamic and exemplary progress of monument restoration works. (CURRENTLY)
• Completion of monument restoration works. (MOVING FORWARD)

• The project “Maintenance, restoration and promotion of the monuments in Epidaurous” was incorporated in the NSRF, with funding of 3,000,000,00 Euros.

• Foreseen to take place at the ancient theater of Asklepiou Epidaurou is the restoration of its foreground, as well as the maintenance work of the fragile architectural parts/pieces of the stage.

• In the first phase, according to the approved study, the two theater ramps from the foreground leading to the floor of the stage building will be restored.
• Meanwhile, the restoration of the upper row of seats of the epitheater, which had been disturbed by the silt in the area, continues.

• Work is in progress.

• In particular, the reconstruction of the seats was completed in the upper rows of the epitheater, after the causes of the damage had been removed. As for the area of the hollow of the theater which has been greatly deformed (stand 18 to 21 of the epitheter) the analytical documentation of the damages continues, as part of the restoration study which is under preparation. In the area of the stage building, the architectural members have already begun to work with new materials for the restoration of the platform of the theater, as well as the welding of broken pieces of the monument.

• With the initiative of the Movement Active Citizens of Eretria, “MEDUSA”, the theater was cleared of vegetation.
•  “DIAZOMA” has come to an understanding with the competent Antiquities Authority and the Swiss Archaeological School.
• With the money collected from donations -money box (from sponsors and citizens), “DIAZOMA” assigned the study of preservation and restoration of the ancient theater to the scholars Niki Apostolou and Fotini Belliou.
• The Programming Agreement between the Region of Mainland Greece and the Ministry of Culture and Tourism, amounting to € 30.000 was signed concerning the “Topographic and architectural survey of the ancient theater of Eretria and its structural material”.
• Archaeological cleaning of the ancient theater as well as the collecting of scattered structural materials was carried out and inspected.
• A Festival of Performances was held in the courtyard of the ancient theater.
• A programming contract of € 20.000 was signed on September 2, 2013 between the Ministry of Culture and Sports, the Region of Mainland Greece and the Municipality of Eretria for the project “Preliminary work for the restoration study and construction of the theater of Eretria”. The funding was provided by the Municipality of Eretria. Through the Programming Contracts the following studies were assigned directly by the relevant Authorities of Antiquities: A. Architectural surveys, B. Structural Study of the fixation of the ancient theater of Eretria, “Part A: Assessment of Existing Situation”, C. Structural Study of the fixation of the ancient theater of Eretria, “Part B, Restoration Proposals”, D. Conservation study of structural materials of the ancient theater of Eretria. The conservation and maintenance study of the ancient theater of Eretria waspresented by scholars Niki Apostolou and Fotini Belliou to the Board of Directors of “DIAZOMATOS”. On Tuesday 26 January 2016 the studies were approved by the Central Archaeological Council.
• The Regional Governor of Mainland Greece, Mr. Konstantinos Bakoyiannis approved the credit of 1.050.000 Euros, which will be available for the restoration and maintenance of the structural materials of the ancient theater of Eretria.
• The Region of Central Greece provides credit of 1,050,000 euros through the Cultural Development Programme Agreement “Restoration and maintenance works of the building materials of the ancient theatre of Eretria.” The funding originates from the Public Investment Programme, and the works are implemented based on approved studies.
•  

  The restoration works are underway. By November 2020, extensive archaeological cleaning was completed. Moreover, the restoration and completion of the skene retaining walls and the reconstruction of conduit surrounding the koilon (seating area) took place. The completion of the klimakes (stairways) and the reconstruction of the seats in the koilon with new materials is underway. In total, the completion of 580 seats (edolia) with artificial stone is planned. (CURRENT STATE)

•  

  Monitoring and completion of works. (NEXT STEP)

   

• In November 2008 the President of Diazoma Mr Stavros Benos visited the ancient theatre of Gorty in the framework of his tour of the ancient theatres of Crete, and held meetings with local agencies. (see here)
• ‘DIAZOMA’ has opened a “piggy bank” (an electronic bank account) for the ancient theatre of Gortys. (see here) The pupils of the Municipality of Gortys have “adopted” the ancient theatre and hold an annual Student Festival there. (see. here)
• In 2009 the Prefecture Local Government of Heraklion made available through a Planning Contract to the Ministry of Culture and Tourism €7000.00 of funding for the implementation of a Geophysical Plan, which has been completed.
• In July 2010, the Region of Crete made available through a Planning Contract €400,000.00 in funding to reveal the monument. The object of the contract is:
  • clearing the vegetation from the monument,
  • removing fallen structural materials,
  • small exploratory cuts at selected points of the monument,
  • initial survey of the monument’s outline,
  • implementation of protection measures for the revealed outline of the monument,
  • construction of new fencing. (link)
• The excavation works produced spectacular results.
• In October 2012 the amendment regarding the time of the most recent Planning Contract was signed.
• In June 2014, the amendment to the contract was signed, along with an increase to the initial budget by €60,000.00, in order to incorporate the required restoration plan assignments into the funding programme. (link)
• In February 2015 the Ephorate of Antiquities of Heraklion directly assigned the following plans for the restoration of the Roman Odeion of Gortys:
  • ‘Technical-Geological – Geotechnical Plan for the Large Theatre of Gortys’ to Georgios Kritsotakis, geologist – geotechnician,
  • ‘Structural Plan for the Fixing and Restoration of the Large Theatre of Gortys’ to the enterprise with the trade name Hydroment Consultant Engineers S.A.,
  • ‘Architectural plan for the restoration and promotion of the large theatre of Gortys’ to Nikolaos Hatzidakis, Architect Engineer,
  • ‘Survey with Topographical Methods of the Large Theatre of Gortys’ Plan to the enterprise with the trade name PERMEL S.A.
• Implementation of the plans has been completed.
• On Tuesday, 30 June 2020, the studies were approved by the Central Archaeological Council of the Ministry of Culture.
• In May 2020, a new Programme Agreement of 240,000 euros was signed. It will fund a two-year excavation programme at the theatre. The Agreement was co-singed by the Ministry of Culture and the Region of Crete. The funds will be provided by the Region of Crete. The programme is scheduled to commence in March 2021. Within the framework of this Agreement, the excavation of the monument will be completed, and supplementary restoration studies for the monument will be drawn up, aiming to fully prepare the work for incorporation in the NSRF 2021-2027. (CURRENT STATE)
• Recommencement of excavation works in Αpril 2021 and preparation of the supplementary restoration studies for the monument, incorporation in the NSRF 2021-2027. (NEXT STEP)

• In March 2009 the first visit of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Kalydon took place, in the framework of his tour of the ancient theatres of Aetolia-Acarnania, where he met with all local agencies regarding the promotion of the theatre of Kalydon. (link)
• ‘DIAZOMA’ has opened a special bank account (“piggy bank”) for the ancient theatre of Kalydon. In June 2011 a special event was held in Evinochori by the Municipality of Missolonghi, the ‘ANCIENT KALYDONA’ and ‘AGIOS IOANNIS EVINOCHORIOU’ Associations, the Archaeological Association of West Central Greece, and the Association of Public Work Contractors of Missolonghi – Nafpaktos, to open and support the ancient theatre’s “piggy bank”. (link 1, link 2)
• From 2011 to 2013 excavation works at the monument were funded by the Archaeological Institute of Denmark, with the amount of €200,000.00.
• The excavation works have not been completed.
• In January 2014 ‘DIAZOMA’ assigned the restoration and promotion plan for the ancient theatre of Kalydon to architect – engineer Mr Nikos Hatzidakis, with the money that was collected in the monument’s electronic bank account.
• The implementation of the study was completed and in September 2015 it was received by the Board of DIAZOMA.
• In March 2019 the plan was approved by the Central Archaeological Council.
• The Cultural Route of the Ancient Theatres of Aetolia-Acarnania proposed by ‘DIAZOMA’ which will incorporate the restoration of the ancient theatre of Kalydon, must be implemented with funds from the NSRF. (MOVING FORWARD)

• On Saturday 13 June 2009 the first visit of the president of the ‘DIAZOMA’ Association, Mr. Stavros Benos, to the ancient theatre of Kassopi took place, in the framework of his tour of the ancient theatres of the prefectures of Preveza and Arta, where he met with all local agencies regarding the promotion of the theatre of Kassopi. (link)
• Subsequently, ‘DIAZOMA’ opened a “piggy bank” (an electronic bank account) for the ancient theatre of Kassopi. (link)
• Through the work ‘Promotion of the neighbourhood of the theatre of ancient Kassopi’ which had been incorporated in the Operational Programme ‘Thessaly – Central Greece – Epirus 2007-2013’ of the NSRF, with a total budget of €300,000, the following works were implemented: clearing the monument and the surrounding space of wild vegetation, test cuts in the streets of the ancient city leading to the theatre, systematic archaeological cleaning of the western polygon retaining wall of the koilon, the four western kerkides, the orchestra, and the skene structure of the theatre.
• In 2015 ‘DIAZOMA’ assigned the following plans that were deemed necessary for the restoration and overall promotion of the ancient theatre of Kassopi:
  • architectural plan to architects Ms Ioulia Stamou and Mr Leonidas Leontaris,
  • structural restoration plan to civil engineer Mr Konstantinos Papantonopoulos,
  • geotechnical plan and plan for the reduction in the risk of collapse of the rock behind the ancient theatre of Kassopi to the ‘EDAFOS ENGINEER CONSULTANTS S.A.’ Company.
• From September to December 2017 ‘DIAZOMA’ and the platform act4greece of the National Bank of Greece implemented a crowdfunding programme for the ancient theatre of Kassopi. This programme raised through the power of so many people the amount of €80,500, which was used to cover the cost of assigning the plans. (video)
• On Wednesday 19 October 2016 at hotel Dioni Boutique in Preveza the crowdfunding programme for the promotion of the ancient theatre of Kassopi was presented. The event was co-organised by the Regional Unit of Preveza, the National Bank of Greece, and the ‘DIAZOMA’ Association. (link)
• On Friday 11 November 2016 in the central hall of the Small Athens Stock Exchange the crowdfunding programme for the promotion of the ancient theatre of Kassopi was presented. (link)
• The preliminary plan for the restoration and overall promotion of the ancient theatre of Kassopi has already been completed.
• On Tuesday 26 July 2016 the plan was approved by the C.A.C.
• The final plan for the restoration of the theatre was also delivered by the researchers.
• In July 2018 the C.A.C. approved:
  • the plan for the restoration and overall promotion of the ancient theatre of Kassopi (architectural, structural restoration),
  • the plan for the preservation and fixing of the structural material of the ancient theatre of Kassopi,
  • the geotechnical plan and plan for the reduction in the danger of the rock behind the ancient theatre of Kassopi and
  • the proposal for the creation of the work site road at the archaeological site of Kassopi, Regional Unit of Preveza, Region of Epirus.
• Implementation is under way of the work ‘Restoration – Promotion of the ancient theatre of Kassopi (Phase A)’ through the programme ‘Cultural route of the ancient theatres of Epirus’, with €1,000,000 of funding (Priority Axis ‘Protection of the environment and sustainable growth’ of the Regional Operational Programme of Epirus). (CURRENTLY)
• Monitoring and completing works. (MOVING FORWARD)

• In the summer of 2020, excavation-earthmoving works at the ancient theatre of Lefkas continued, uncovering the theatre’s orchestra the first surrounding rows of seats. In a few places, the ancient material of the seats and klimakes (stairs) is preserved.
• Undergoing excavation (CURRENT STATE)
• Ensuring access to the theatre (expropriations), completion of excavations, preparation of restoration studies, incorporation of the ancient theatre of Lefkas restoration works in a Funding Programme. (NEXT STEP)

• On Saturday 11 October 2008 the President of the ‘ DIAZOMA’ Association Mr Stavros Benos visited the ancient theatre of Messini in the framework of the first General Meeting of ‘DIAZOMA’. (link)
• ‘DIAZOMA’ opened a “piggy bank” (a bank account) for the ancient theatre of Messini. (link)
• The theatre was restored by the Society of Messenian Archaeological Studies under the personal care and supervision of professor Petros Themelis, and with a €1,200,000 donation from the ‘STAVROS NIARCHOS’ foundation. Restoration works were completed in August 2013. On 3 August 2013 a special event was held for the opening of the monument.
• In April 2015 ‘DIAZOMA’ assigned the drafting of an electrical preliminary study for the electrical lighting of the archaeological site of ancient Messini, with a sponsorship from the Pavlos & Alexandra Canellopoulos Foundation, to MELETITIKI S.E.M.-I LTD / Technical Company for E/M Installations Plans, aiming at incorporating the Project (Application and Construction Plan) to the NSRF. The drafting of the preliminary plan was completed and on 16-12-2016 it was received by the Board of DIAZOMA.
• In March 2017 the former Deputy Minister of the Economy & Development Mr Alexis Charitsis stated that €1.5 million from the Public Investment Programme had been earmarked for works concerning the lighting of the entire archaeological space, the fencing, the covered area, and the parking lot.
• In October 2019 the Governor of Peloponnese Mr Panagiotis Nikas announced the connection of the A7 motorway with the Lampaina – Ancient Messini road via the Arfara junction.
• The approval of the plan for the general lighting of the park by the C.A.C. and its implementation are pending.
• Recently there has been an effort to create an archaeological park in Ancient Messini, which will meet a more dynamic and modern approach to cultural management, as envisioned by Professor Petros Themelis. The archaeological park of Messini will be a juncture on the Cultural Route of MOREAS. (CURRENTLY)
• Incorporation of the MOREAS programme, which will include the Archaeological Park of Messini, into the NSRF programme (2014-2020 or 2021-2027). All works that have been announced will be incorporated into this programme. (MOVING FORWARD)

• On 18 March 2009, DIAZOMA President Mr. Stavros Benos visited the ancient theatre of Pleurona as part of his tour of ancient theatres in the regional unit of Aitoloakarnania (Aetolia-Acarnania). There, he met with local bodies and institutions to discuss enhancing and promoting this ancient theatre.
• The DIAZOMA Association has set up a fundraising bank account (“piggy bank”) for the ancient theatre of Pleurona.
• On 20 September 2010, at the urging of the DIAZOMA Association, a Cultural Development Programme Agreement of 125,000 euros was signed between the former Prefectural Authority of Aitoloakarnania, the Aristotle University of Thessaloniki, the Ministry of Culture and Tourism, and the Credit Management Fund for the Execution of Archaeological Works for a) supplementary excavations at the ancient theatres of Oeniades and Pleurona and, b) the preparation of reconstruction and restoration studies. The sum allocated to the ancient theatre of Pleurona was 60,000 euros. The studies were prepared by the Aristotle University of Thessaloniki.
• On 18 June 2013, the Ministry of Culture and Sport, the Region of Western Greece- Regional Unit of Aitoloakarnania, and the Aristotle University of Thessaloniki signed an amendment to the cultural development programme agreement.
• On 6 June 2014, a new amendment modifying the programme agreement’s timetable was signed, deemed necessary to allow for the completion of the agreement’s objective.
• The study has been completed. On 20 March 2017, the restoration study for the ancient theatre of Pleurona was approved by the Central Archaeological Council.

• The “Securing, restoring, enhancing and promoting the ancient theatre of Pleurona” project was included in the NSRF 2014-2020 O.P. “Western Greece 2014-2020”, with a budget of 900,000 (CURRENT STATE)
• Monitoring the theatre’s restoration works. (NEXT STEP)

Overall, the work to be carried out consists of:

Fixing, maintenance, restoration, protection, enhancement, and promotion of the monument through targeted interventions per the restoration study approved by the Central Archaeological Council (KAS) in the koilon (seating area), retaining walls, orchestra, parodoi (side entrances), skene (building behind the orchestra), drainage duct and the theatre’s tower.

Preparation of additional studies (mortar and grout application, complete drainage of the monument and the surrounding area, electrical and mechanical infrastructure, and fire safety studies).

Installation of bilingual information signs, one of which in Braille, publication of bilingual brochure (English – Greek and Braille), construction of an architectural model that can serve as a palpation model for the visually impaired.

• The “Securing, restoring, enhancing and promoting the ancient theatre of Stratos”  project was included in the NSRF 2014-2020- O.P. WESTERN GREECE, with a budget of 1.6 million euros.  (CURRENT STATE)
• Monitoring the theatre’s restoration works. (NEXT STEP)

• On 10 February 2010, the President of DIAZOMA, Mr. Stavros Benos, visited the ancient theatre of Boeotian Orchomenos as part of his tour of the ancient theatres of Boeotia. There, he met with local bodies and institutions to discuss enhancing and promoting this ancient theatre. (link)

• The DIAZOMA Association has set up a fundraising bank account (“piggy bank”) for the ancient theatre of Boeotian Orchomenos. (link) The starting point for this important event was the visit of journalist and Orchomenos Municipal Councillor, Mr. Lampros Rodes, on 6 July 2010 to DIAZOMA’s headquarters. During an in-depth discussion with DIAZOMA President Mr. Stavros Benos, Mr. Rodes announced that he would take the initiative to form a citizens’ movement to enhance and promote the ancient theatre of Orchomenos. (link) This proved to be DIAZOMA’s most dynamic “piggy bank,” successfully raising 198,767.75 euros.

• In the case of Boeotian Orchomenos, through synergies developed with all the competent bodies at the DIAZOMA Association’s initiative, a unique archaeological park was designed and is coming into being. The archaeological park encompasses an exceedingly rare monument complex of great cultural value: the tholos tomb of Minyas, also known as the “Treasury of Minyas” (1250 BC), the third-century theatre of Orchomenos, and the ninth century Church of Panagia Skripou. (link)
• Utilizing the great potential of the ancient theatre of Boeotian Orchomenos’ “piggy bank,” DIAZOMA has commissioned all the necessary studies for the creation of the archaeological park.
• More specifically, on 7 October 2011, DIAZOMA commissioned topographer engineer Mr. George Artemakis with the topographic study for the creation of the archaeological park. On 21 December 2011, DIAZOMA’s Committee took receipt of the study.
• Moreover, on 19 December 2011, DIAZOMA commissioned architect Mr. Dimitris Diamantopoulos and PLEIAS Architects to carry out a study for the creation of an archaeological park. The commissioning took place in the presence of the Mayor of Orchomenos, Mr. Konstantinos Xirogiannis, and the President of the Municipal Council, Mr. Giorgos Zygouris.  (link)
• On 10 January 2012, at the urging of the DIAZOMA Association, the Region of Central Greece provided funding amounting to 50,000 euros to the Ministry of Culture via a Cultural Development Programme Agreement for the restoration, enhancement, and promotion needs of the ancient theatre of Boeotian Orchomenos. More specifically, these funds covered the cost of all the preliminary works required for the monument’s restoration study to follow. (link)
• In 2012, archaeological work was carried out in the context of implementing the “Excavation and mapping of the ancient theatre of Boeotian Orchomenos” project, funded by the aforementioned Programme Agreement.
• Using funding provided by the same Programme Agreement, the Ministry of Culture commissioned architect-engineer Mr. Themis Bilis with the study for the “Excavation and mapping of the ancient theatre of Boeotian Orchomenos.”
• In addition, on 19 July 2012, DIAZOMA commissioned architect-engineer Mr. Themis Bilis to prepare the “Restoration of the ancient theatre of Boeotian Orchomenos” project study. The fees for the study were drawn from the “piggy bank” set up by DIAZOMA for the ancient theatre of Boeotian Orchomenos.
• On 27 July 2012, Stage A of the architectural study for the archaeological park of Boeotian Orchomenos was forwarded to the Ministry of Education, Religious Affairs, Sport and Culture for approval by the competent authorities.
• On 16 October 2012, the Central Archaeological Council (KAS) approved Stage A of the architectural study for the archaeological park of Boeotian Orchomenos.
• On 20 February 2013, the DIAZOMA Association commissioned topographer engineers Mr. George Artemakis and Mr. Nikos Manis and architect-urban planner Mr. Dimitris Diamantopoulos (representing PLEIAS Architects) with the supplementary studies required for the creation of the archaeological park (urban planning study for the modification of the city plan, drafting land compensation actuarial acts, topographic study, road construction/ road nodes study), funded by the theatre’s “piggy bank.” (link)
• Moreover, on 20 February 2013, the DIAZOMA Association commissioned electrical -mechanical engineer Mr. Stephanos Nikolaou to prepare an electromechanical study for the creation of the archaeological park. The cost of this study was also covered by the theatre’s “piggy bank.” (link)
• On 20 July 2013, during the DIAZOMA Board of Directors meeting, architect-engineer Mr. Themis Bilis presented his study on the restoration of the ancient theatre of Boeotian Orchomenos. (link) This restoration study was forwarded to the Central Archaeological Council (KAS) for approval. At the same meeting, architect-urban planner Mr. Dimitris Diamantopoulos, his team, and topographer-engineers Mr. George Artemakis and Mr. Nikos Manis presented the urban planning study to modify the city plan of Orchomenos (Boetia) and the road construction study. All studies were forwarded to the Municipality of Orchomenos for approval.
• On 17 September 2013, the Central Archaeological Council (KAS) approved the restoration study for the ancient theatre of Boeotian Orchomenos.
• On 15 December 2013, the DIAZOMA Association and the Municipality of Orchomenos (Boetia) co-hosted an event at the PETRINA conference center to honor the sponsors of the archaeological park. (link)
• On 3 April 2014, two new agreements to commission the preparation of a) the structural surveys and b) phytotechnology study were signed at DIAZOMA’s headquarters, in the context of designing the archaeological park. (link) Structural surveyors F. Karydakis and Associates Ltd and agronomist- engineer Mr. Eleftherios Katsoulakis were respectively commissioned by the DIAZOMA Association to prepare the studies, utilizing funds from the ancient theatre’s “piggy bank.” (link)
• On 3 July 2014, the DIAZOMA Board of Directors took receipt of the following studies, which were subsequently approved by the Central Archaeological Council (KAS):

1. Stage B of the Architectural Study (Implementation Study) for the archaeological park
2. Phytotechnology Study (Implementation Study) for the archaeological park
3. Electromechanical study
4. Structural survey

• On 23 July 2014, Mr. Dimitris Diamantopoulos presented the studies for creating the Boeotian Orchomenos archaeological park to the extraordinary meeting of the Municipal Council of Orchomenos (Boeotia). (link)
• On 23 August 2014, at the Orchomenos (Boeotia)  Municipal Council Hall, Mr. Themis Bilis presented the restoration study for the ancient theatre of Boeotian Orchomenos (link)
• On 5 November 2014, Mr. Stavros Benos and his colleagues, and architect-engineers Mr. Dimitris Diamantopoulos and Mr. Themis Bilis visited the Town Hall of Orchomenos, bringing the action plan for the implementation of the Boeotian Orchomenos Park before Mayor and President of the Regional Association of Municipalities (PED) Mr. Loukas Yperifanos, President of the Municipal Council Mr. Lampros Rodes, technical advisor Mr. Vasilis Tountas and the entire technical service of the Municipality. The presentation was also attended by the Director of the Ephorate of Antiquities of Boeotia, Ms. Alexandra Charami, and the archaeologist responsible for Boeotia, Ms. Olga Kaliga. (link)
• On 13 May 2015, at the Dimitris Mitropoulos Hall of the Megaron Athens Concert Hall, a lecture was held on the “Archaeological Park of Boeotian Orchomenos: integrating the region’s antiquities in the life of the city.” During the event, speakers Mr. Dimitris Diamantopoulos (architect-urban planner and consultant on the Archaeological Park of Orchomenos), Mr. Themis Bilis, and Ms. Maria Magnisali (National Technical University of Athens architects-restorers and restoration consultants on the ancient theatre’s restoration) illuminated aspects of the study on the creation of the park and the restoration study of the ancient theatre, respectively. (link)
• In September 2014, Mr. Evdokimos Fregoglou, head of multimedia applications at DIAZOMA, and Mr. Dimitris Diamantopoulos, architect-urban planner and consultant on the Archaeological Park, created a video which presents in 3D form the archaeological park of Boeotian Orchomenos and the new configurations it will include. (link)
• On 26 September 2015, the DIAZOMA Association chose the ancient theatre of Orchomenos as the venue for its 8^th General Assembly. The Assembly’s work sessions were combined with visits to Central Greece’s natural and cultural monuments, focusing on ancient theatres. The decision to host the Assembly in the region was also related to the design of the OEDIPUS cultural route, a central attraction pole of which is the Archaeological Park of Orchomenos. The formalities of DIAZOMA’s General Assembly (verification of the quorum – election of the office) took place at the ancient theatre, and guitarist Eva Fambas brought the day to a close with a musical performance. (link)
• In November 2016, the project “Upgrading the Archaeological Site of Boeotian Orchomenos and Restoring the Ancient Theatre” was included in the Regional Operational Programme of Central Greece (NSRF 2014-2020) with a budget of 1,992,000 euros.
• On 22 February 2018, Greek President Mr. Prokopis Pavlopoulos,  Minister of Culture and Sports Ms. Lydia Koniordou, and Minister of the Environment and Energy Mr. George Stathakis signed the “Amendment of the approved urban plan of the Municipal Unit of Orchomenos in the Regional Unit of Boeotia (South Boeotia) for the area of Skripos, the archeological site of Orchomenos in the Prefecture of Boetia, the establishment of a front yard setback and the definition of the uses, conditions and building restrictions” (Government Gazette No 27). This amendment was necessary to achieve the integration of the region’s Archaeological sites via alterations in building and street lines, changes in traffic arrangements, pedestrian routes, etc.  (link)
• On 16 March 2018, a one-day conference on “Monuments at the center of life, sustainability and sustainable development” was held at the Antoniadou Amphitheater of the Athens University of Economics and Business within the framework of DIAZOMA’s collaboration with the University’s education sciences program. This was followed by field research by the program’s students at the Archaeological Park of Boeotian Orchomenos on 17 May 2018. (link) The best research, selected by a special scientific committee comprising Ms. Brinia and DIAZOMA specialists, was presented by the team that carried it out at the 4^th meeting of Ano Diazoma on 10 June 2018. (link)
• On 8 April 2020, within the framework of the “ARCHAEOLOGICAL PARK OF BOEOTIAN ORCHOMENOS” project, the Region of Central Greece approved the amended technical bulletins for the following projects:

1. ARCHAEOLOGICAL PARK OF BOEOTIAN ORCHOMENOS, SURROUNDING PUBLIC SPACE, PHASE A: STREETS, MINYAS-AKROPOLEOS, with new amended funding amounting to 1,155,000 euros to be provided by the Region of Central Greece’s Public Investment Programme.
2. ARCHAEOLOGICAL PARK OF BOEOTIAN ORCHOMENOS, PHASE B: SURROUNDING PUBLIC SPACE, with new amended funding amounting to 1,706, 250 euros to be provided by the Region of Central Greece’s Public Investment Programme.
3. ARCHAEOLOGICAL PARK OF BOEOTIAN ORCHOMENOS, RESTORATION OF THE CHURCH OF PANAGIA SKRIPOU MONASTIC CELLS BUILDING-PRESBYTERY, with new amended funding amounting to 865,590.94 euros to be provided by the Region of Central Greece’s Public Investment Programme.
4. ARCHAEOLOGICAL PARK OF BOEOTIAN ORCHOMENOS, CHURCH OF THE PANAGIA SKRIPOU AREA, with new amended funding amounting to 767,000 euros to be provided by the Region of Central Greece’s Public Investment Programme.

This amendment was necessary to incorporate the Archaeological Excavations and Works Subprojects to be carried out by the Ministry of Culture – Ephorate of Antiquities of Boeotia in the technical bulletins. Given that these works will receive National Funding (Public Investment Programme), the amendments were also approved by the Ministry of Development on 27 April 2020. (link)

• On 6 November 2020, the construction agreement for the “Archaeological Park of Boeotian Orchomenos Phase A: Streets, Minyas-Akropoleos” was signed at the Orchomenos Town Hall between the Mayor of Orchomenos, Ms. Voula Karalis, and the representative of Vasileios Kondylis & Co. Ltd. The project’s implementing body is the Municipality of Orchomenos, and the funding of 897,000 euros is provided by the Public Investment Programme of the Operational Programme of Central Greece 2014-2020. The project is due to start soon and is expected to be completed within nine months.

• Work on the restoration of the ancient theatre of Boeotian Orchomenos and the creation of the Boeotian Orchomenos archaeological park is currently underway. The Boeotian Orchomenos archaeological park is one of the main poles of attraction of the OEDIPUS Cultural-Environmental Route of Central Greece. (CURRENT STATE)
• Monitoring and completion of works on the creation of the archaeological park of Boeotian Orchomenos. (NEXT STEP)