Demolition of the Expropriated Buildings on the Site of the Ancient Theatre of Acharnes Commences
THE WILDFLOWERS OF NORTHERN EVIA: PLANNING AND SUPPORTING THE FOREST FESTIVALS
THE WILDFLOWERS OF NORTHERN EVIA: MOVING PARTICIPATION IN THE COLLECTIVE EFFORT FOR THE REGION’S REGENERATION
DIAZOMA Association 15th General Assembly in Kalamata and the Archaeological Site of Ancient Messene Successfully Completed
The Great Petros Themelis and the Wonder of Ancient Messene
The theater at Epidaurus has been known for centuries as an acoustic marvel that allowed spectators to hear in the back row. Georgia Tech researchers have discovered that Epidaurus’ limestone seats created a sophisticated acoustic filter that carried instruments and voices all the way to the back row.
As the ancient Greeks were placing the last few stones on the magnificent theater at Epidaurus in the fourth century B.C., they couldn’t have known that they had unwittingly created a sophisticated acoustic filter. But when audiences in the back row were able to hear music and voices with amazing clarity (well before any theater had the luxury of a sound system), the Greeks must have known that they had done something very right because they made many attempts to duplicate Epidaurus’ design, but never with the same success.
Researchers at the Georgia Institute of Technology have pinpointed the elusive factor that makes the ancient amphitheater an acoustic marvel. It’s not the slope, or the wind — it’s the seats. The rows of limestone seats at Epidaurus form an efficient acoustics filter that hushes low-frequency background noises like the murmur of a crowd and reflects the high-frequency noises of the performers on stage off the seats and back toward the seated audience member, carrying an actor’s voice all the way to the back rows of the theater.
The research, done by acoustician and ultrasonics expert Nico Declercq, an assistant professor in the Woodruff School of Mechanical Engineering at Georgia Tech and Georgia Tech Lorraine in France, and Cindy Dekeyser, an engineer who is fascinated by the history of ancient Greece, appears in the April issue of the Journal of the Acoustics Society of America.
While many experts speculated on the possible causes for Epidaurus’ acoustics, few guessed that the seats themselves were the secret of its acoustics success. There were theories that the site’s wind — which blows primarily from the stage to the audience — was the cause, while others credited masks that may have acted as primitive loudspeakers or the rhythm of Greek speech. Other more technical theories took into account the slope of the seat rows.
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Georgia Institute of Technology